Gorgo Attacks
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Dinosaurs Ever Evolving
From their discovery in the 19th century to the dawn of the Nuclear Age, dinosaurs were seen in popular culture as ambassadors of the geological past and as icons of the "life through time" narrative of evolution. They took on a more foreboding character during the Cold War, serving as a warning to mankind with the advent of the hydrogen bomb. As fears of human extinction escalated during the ecological movement of the 1970s, dinosaurs communicated their metaphorical message of extinction, urging us from our destructive path. Using an eclectic variety of examples, this book outlines the three-fold "evolution" of dinosaurs and other prehistoric monsters in pop culture, from their poorly understood beginnings to the 21st century.
The Horror Comics
From the Golden Age of the 1940s, through the Silver Age of the '60s, up until the early '80s--the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial and gory comics of the '40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the '60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House. The explosion of horror titles following the relaxation of the comics code in the '70s is fully documented with chapters on Marvel's prodigious output--The Tomb of Dracula, Werewolf by Night and others--DC's anthologies--Witching Hour and Ghosts--and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who were different.
Men Djinn & Angels
Talib, a sixteen-year-old Palestinian, miraculously survives the Cave of the Patriarchs massacre, a travesty that kills his father. Escaping the conflict in the Middle East, Talib is offered solace in the luxury of a wealthy familys mansion home where he meets two enigmatic sisters, Kate and Fiona. Despite their beauty, innocence, and sophistication, these sisters are not at all what Talib imagined. Their occult practices and devotion to a mission handed down to them by the Enlightened Titans, a fraternal secret society, throw Talib into a conflict between his Islamic upbringing and the cosmological possibility that there is more to the universe than what a religious text offers. If this is not enough, Talib learns that he has more to offer, and the two sisters may take it unless he volunteers it.