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Creative Nonfiction
The very best writing from one of America’s most groundbreaking literary magazines. When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the “fourth genre.” The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic’s boyhood remembrances of the bombing of Belgrade, Carolyn Forche’s haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman’s meditation on the photo of a murdered boy his same age—Emmett Till—and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath. With an introduction by Lee Gutkind, Creative Nonfiction’s founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.
The Last Motley
A hunted child. A magical curse. And a tailor in over his head. Every century a motley is born. Though only children, their patchwork skin marks them as dangerous, especially to those who know about the first motley. That one nearly destroyed the world. But a chance meeting with Roderick the tailor may hold the key to breaking the curse. Roderick has no sword or armor or power of his own. He's not even rich. But what he does have is a heart moved by compassion for a hunted boy. Old legends spring to life. Nightmares walk the land. But heroes may be found in the most unlikely of places. Will this be the last motley? If you like heart-warming fantasy you'll love this original fantasy novel from Grace Award finalist DJ Edwardson.
A Filtered Life
A Filtered Life is the first comprehensive ethnographic account to explore how college students create and manage multiple identities on social media. Drawing on interviews and digital ethnographic data gleaned from popular social media platforms, the authors document and make visible routinized practices that are typically hidden and operating behind the scenes. They introduce the concept of "digital multiples," wherein students strategically present themselves differently across social media platforms. This requires both the copious production of content and the calculated development of an instantly recognizable aesthetic or brand. Taylor and Nichter examine key contradictions that emerged from student narratives, including presenting a self that is both authentic and highly edited, appearing upbeat even during emotionally difficult times, and exuding body positivity even when frustrated with how you look. Students struggled with this series of impossibilities; yet, they felt compelled to maintain a vibrant online presence. With its close-up portrayal of the social and embodied experiences of college students, A Filtered Life is ideal for students and scholars interested in youth studies, digital ethnography, communication, and new forms of media.