Genre Tropes

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Genre Tropes

Genre Tropes explores the fundamental narrative patterns that define thriller, fantasy, and horror, revealing how these seemingly different genres share common storytelling mechanics. The book argues that genre tropes are not clichés, but rather essential building blocks that, when used effectively, create resonant experiences for audiences. For example, the ""final girl"" in horror and the ""chosen one"" in fantasy, though distinct, both fulfill specific narrative roles that tap into audience expectations and emotional responses. The book examines how societal anxieties and aspirations shape these tropes, tracing their evolution through literature, film, and television. It delves into the psychological impact of tropes, revealing how they cater to our need for narrative and influence our perceptions. Understanding narrative tropes provides both creators and audiences a deeper appreciation of storytelling. Structured in three parts, the book first introduces genre theory and narrative structure. It then explores specific tropes within thriller, fantasy, and horror, dedicating chapters to their evolution and cultural significance. Finally, it synthesizes these findings, offering practical guidance for writers and filmmakers on how to use tropes effectively.
Genre/Trope/Gender

Author: Barry Rutland
language: en
Publisher: McGill-Queen's Press - MQUP
Release Date: 1992-01-01
Northrop Frye embellishes the theory of genre in "Henry James and the Comedy of the Occult." In "The Power of Postmodern Irony," Linda Hutcheon furthers her reputation as a theorist of contemporary culture, and Shirley Neuman investigates gender in writing and reading in "Autobiography, Mothers' Bodies, the Reproduction of Mothering."
Golden Chaos

Life isn't a fairytale, but for a few days I got to pretend it was. Now I'm back in my childhood bedroom in New York, eating breakup ice cream and listening to early 2000s emo music. Whatever, this was the wake-up call I needed. It's time for Ria 2.0. No more bailouts. No more half-baked projects. No more impulsive decisions. Simple, right? Except my ex-boyfriend wants to drop the ex part, the three bears aren't so willing to let their Goldilocks go, and their mother is more Wicked Witch than Mama Bear. How am I supposed to pull it together when chaos follows everywhere I go? Golden Chaos is book two of the Three Bears duet. It is a medium burn, reverse harem romance for readers 18+