Genesis Structure And Meaning In Gary Snyder S Mountains And Rivers Without End
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Genesis, Structure, and Meaning in Gary Snyder's Mountains and Rivers Without End
Author: Anthony Hunt
language: en
Publisher: University of Nevada Press
Release Date: 2016-12-20
When Gary Snyder’s long poem Mountains and Rivers Without End was published in 1996, it was hailed as a masterpiece of American poetry. Anthony Hunt offers a detailed historical and explicative analysis of this complex work using, among his many sources, Snyder’s personal papers, letters, and interviews. Hunt traces the work’s origins, as well as some of the sources of its themes and structure, including Nō drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; and planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content, but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder’s work. Hunt’s benchmark study will be rewarding reading for anyone who enjoys the contemplation of Snyder’s artistry and ideas and, more generally, for those who are intrigued by the cultural and intellectual workings of artistic composition.
A Sense of the Whole
In 1997, Mark Gonnerman organized a yearlong research workshop on Gary Snyder's Mountains and Rivers Without End at the Stanford Humanities Center. Members of what came to be known among faculty, students, and diverse community members as the Mountains & Rivers Workshop met regularly to read and discuss Snyder's epic poem. Here the poem served as a commons that turned the multiversity into a university once again, if only for a moment. The Workshop invited writers, teachers and scholars from Northern California and Japan to speak on various aspects of Snyder's great accomplishment. This book captures the excitement of these gatherings and invites readers to enter the poem through essays and talks by David Abram, Wendell Berry, Carl Bielefeldt, Tim Dean, Jim Dodge, Robert Hass, Stephanie Kaza, Julia Martin, Michael McClure, Nanao Sakaki, and Katsunori Yamazato. It includes an interview with Gary Snyder, appendices, and other resources for further study. Snyder once introduced a reading of this work with reference to whitewater rapids, saying most of his writing is like a Class III run where you will do just fine on your own, but that Mountains and Rivers is more like Class V: if you're going to make it to take–out, you need a guide. As a collection of commentaries and background readings, this companion volume enhances each reader's ability to find their way into and through an adventurous and engaging work of art.
Genesis, Structure, and Meaning in Gary Snyder's Mountains and Rivers Without End
When Gary Snyder's long poem Mountains and Rivers Without End was published in 1996, it was hailed as a masterpiece of American poetry. Anthony Hunt offers a detailed historical and explicative analysis of this complex work using, among his many sources, Snyder's personal papers, letters, and interviews. Hunt traces the work's origins, as well as some of the sources of its themes and structure, including No drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; and planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content, but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder's work. Hunt's benchmark study will be rewarding reading for anyone who enjoys the contemplation of Snyder's artistry and ideas and, more generally, for those who are intrigued by the cultural and intellectual workings of artistic composition.