Genealogies Of Fiction

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Genealogies of Fiction

Genealogies of Fiction is a study of gender, dynastic politics, and intertextuality in medieval and renaissance chivalric epic, focused on Ludovico Ariosto's Orlando furioso. Relying on the direct study of manuscripts and incunabula, this project challenges the fixed distinction between medieval and early modern texts and reclaims medieval popular epic as a key source for the Furioso. Tracing the formation of the character of the warrior woman, from the Amazon to Bradamante, the book analyzes the process of gender construction in early modern Italy. By reading the tension between the representations of women as fighters, lovers, and mothers, this study shows how the warrior woman is a symbolic center for the construction of legitimacy in the complex web of fears and expectations of the Northern Italian Renaissance court.
Genealogy and Fiction in Hardy

Tess O'Toole uncovers Hardy's career-long fascination with the points of intersection between genealogy and fiction and argues that this relationship fuels much of his writing. Hereditary patterns are the product of narrative compulsion; the circulation of the family story is necessary to reproduce the history it records. As well as analyzing Hardy's characteristic treatment of family history, this volume revises existing accounts of genealogical narrative, and in its conclusion considers the presence in other nineteenth- and twentieth-century novels of motifs foregrounded in Hardy's work.
Children of the Fang and Other Genealogies

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with a new book of stories. An aspiring actress goes to an audition with a mysterious director. An editor receives the last manuscript of his murdered friend. A young lawyer learns the terrible connection between her grandfather and an ancient race of creatures. A bodyguard drives her employer across a frozen road toward an immense hole in the earth. In these stories and others, John Langan maps the branches of his literary family tree, tracing his connections to the writers whose dark fictions have inspired his own. Introduction by Stephen Graham Jones.