Gateway To The Dead
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Gateway to the Dead
Clairvoyant, radio show host, and ghost hunter Margie Kay, shares her research and techniques as well as photos of actual ghosts. She discusses how to communicate with the spirit world, how to guard against and remove negative energies, ghost hunting equipment, investigation methods, and good places to find ghosts. A list of paranormal radio and TV shows is also included as well as a glossary of terms.
Theater of the Dead
Author: Jeehee Hong
language: en
Publisher: University of Hawaii Press
Release Date: 2016-05-31
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
The Potent Dead
Author: Henri Chambert-Loir
language: en
Publisher: University of Hawaii Press
Release Date: 2002-03-31
The dead are potent and omnipresent in modern Indonesia. Presidents and peasants alike meditate before sacred graves to exploit the power they confer, and mediums do good business curing the sick by interpreting the wishes of deceased forebears. Among non-Muslims there are ritual reburials of the bones of the dead in monuments both magnificent and modest. This is the first book to assess the indigenous systems of belief in the spirits of ancestors. A unique team of anthropologists, historians, and literary scholars from Europe, Australia, and North America demonstrate the continuing importance of the potent dead for understanding contemporary Indonesia. At the same time, they help us understand historic processes of conversion to Islam and Christianity by examining the continuing interactions of the spirit world with formal religion. The Potent Dead is a collection of studies by leading scholars of Indonesian culture, history, and anthropology that examines the death practices and rituals of tribal groups in Indonesia. It covers an important area of cultural and social history in Indonesia, with pieces linking the death practices of so-called tribal groups with historical changes in the country, from on-going changes in Islam to the roles of forms of modernity. Contributors: Henri Chambert-Loir, Elizabeth Coville, James Fox, Danielle Geirnaert, Rodolfo Giambelli, Claude Guillot, Christian Pelras, George Quinn, Anthony Reid, Minako Sakai, Anne Schiller, Bernard Sellato, Klaus Shreiner.For sale in Asia, Australia, and New Zealand by NUS Press (Singapore)