Gaslit Meaning
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Gaslighted by God
"We have a right to encounter God where we are. We have a sacred responsibility to experience God authentically." What happens when the God we've been taught to believe in seems powerless to help us in the struggles of life? What do we do when the God we personally encounter no longer resembles the God we've been shown in narrow interpretations of the Bible? Many of those raised in the world of fundamentalist Christianity have been manipulated into accepting a false reality that runs counter to lived experience. The result is confusion, isolation, fear, shame, and trauma, often carried throughout one's entire life. This book is for the victims of this spiritual abuse—anyone looking to reclaim their faith from legalism, nationalism, sexism, anxiety, intolerance, and other mechanisms of control utilized by God's self-appointed gatekeepers. It's for anyone who has learned that the real God is infinitely complex, that authentic faith is perfectly compatible with doubt, and that our suffering is not something we've earned. Gaslighted by God is not a book of easy answers—it's a companion for those mourning the loss of a belief system who need their pain recognized and legitimized. Tiffany Yecke Brooks shows—through stories from her own life, conversations with Christians from a variety of backgrounds, historical anecdotes, and messy episodes from Scripture—that there can be faith after disillusionment. But it will be a different faith—bruised, battered, nuanced, and real, rather than one wrapped in tissue-thin platitudes and three-point sermons. It will be a faith empowered to see beyond who God "should" be to who God is.
Gaslight Melodrama
Author: Guy Barefoot
language: en
Publisher: Bloomsbury Publishing
Release Date: 2016-10-06
In 1945, a year when American crime films were apparently moving out on to the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a 'cycle of mystery and horror pictures placed in the gaslight era of the turn of the century.' For another critic, it seemed that for Hollywood there was 'no world of today save the world of London by gaslight'. In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourse that gave rise to such films. The book's main focus is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde and Hangover Square. It also discusses a related cycle of British films that located murder and melodrama in Victorian or Edwardian settings, and then looks beyond cinema to the Gothic novels of the 18th century, 19th century discussions of gas lighting in street, home and theatre, and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema.
By Gaslight
*SHORTLISTED FOR THE CWA ENDEAVOUR HISTORICAL DAGGER AWARD 2017* LONDON 1885 – A woman’s body is discovered on Edgware Road. Ten miles away, her head is pulled from the dark muddy waters of the Thames. For two men, this event will push them to the very brink. DETECTIVE WILLIAM PINKERTON – ‘Thirty-nine years old, already famous and already lonely’. In an attempt to solve this case, he must descend into the seedy, gas-lit streets, opium dens, sewers and séance halls of Victorian London. ADAM FOOLE – A gentleman without a past, haunted by a love affair ten years gone. What he learns from his lover’s fate will force him to confront a past, and a grief, he thought long buried.