Gangsta Saying
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Whatever You Say I Am
does eminem matter? On assignment for his first cover story for Rolling Stone, the very first national cover story on Eminem, Anthony Bozza met a young blond kid, a rapper who would soon take the country by storm. But back in 1999, Eminem was just beginning to make waves among suburban white teenagers as his first single, “My Name Is,” went into heavy rotation on MTV. Who could have predicted that in a mere two years, Eminem would become the most reviled and controversial hip-hop figure ever? Or that twelve months after that, Eminem would sit firmly at the pinnacle of American celebrity, a Grammy winner many times over and the recipient of an Oscar. did eminem change or did america finally figure him out? Whatever You Say I Am attempts to answer this question and many more. Since their first meeting, Bozza has been given a level of access to Eminem that no other journalist has enjoyed. In Whatever You Say I Am, original, never-before-published text from Bozza’s interviews with Eminem are combined with the insight of numerous hip-hop figures, music critics, journalists, and members of the Eminem camp to look behind the mask of this enigmatic celebrity. With an eye toward Eminem’s place in American popular culture, Bozza creates a thoughtful portrait of one of the most successful artists of our time. This is so much more than a biography of a thoroughly well-documented life. It is a close-up look at a conflicted figure who has somehow spoken to the heart of America.
What Can You Say?
Author: John Hartigan Jr.
language: en
Publisher: Stanford University Press
Release Date: 2010-06-10
We are in a transitional moment in our national conversation on race. "Despite optimistic predictions that Barack Obama's election would signal the end of race as an issue in America, the race-related news stories just keep coming. Race remains a political and polarizing issue, and the sprawling, unwieldy, and often maddening means we have developed to discuss and evaluate what counts as "racial" can be frustrating. In What Can You Say?, John Hartigan Jr. examines a watershed year of news stories, taking these events as a way to understand American culture and challenge our existing notions of what is racial—or not. The book follows race stories that have made news headlines—including Don Imus's remarks about the Rutgers women's basketball team, protests in Jena, Louisiana, and Barack Obama's presidential campaign—to trace the shifting contours of mainstream U.S. public discussions of race as they incorporate new voices, words, and images. Focused on the underlying dynamics of American culture that shape this conversation, this book aims to make us more fluent in assessing the stories we consume about race. Advancing our conversation on race hinges on recognizing and challenging the cultural conventions governing the ways we speak about and recognize race. In drawing attention to this curious cultural artifact, our national conversation on race, Hartigan ultimately offers a way to to understand race in the totality of American culture, as a constantly evolving debate. As this book demonstrates, the conversation is far from over.
Words for My Comrades
From Pitchfork and Guardian contributor Dean Van Nguyen comes a revelatory history of Tupac beyond his musical legend, as a radical son of the Black Panther Party whose political legacy still resonates today. Before his murder at age twenty-five, Tupac Shakur rose to staggering artistic heights as the preeminent storyteller of the 1990s, building, in the process, one of the most iconic public personas of the last half century. He recorded no fewer than ten platinum albums, starred in major films, and became an activist and political hero known the world over. In this cultural history, journalist Van Nguyen reckons with Tupac’s coming of age, fame, and cultural capital, and how the political machinations that shaped him as a boy have since buoyed his legacy as a revolutionary following the George Floyd uprisings. Words for My Comrades engages—crucially—with the influence of Tupac’s mother, Afeni, whose role in the Black Panther Party and dedication to dismantling American imperialism and combating police brutality informed Tupac’s art. Tupac’s childhood as a son of the Panthers, coupled with the influence of his stepfather’s Marxist beliefs, informed his own riveting code of ethics that helped audiences grapple with America’s inherent injustices. Using oral histories from conversations with the people who directly witnessed Tupac’s life and career, many of whom were interviewed for the first time here—from Panther elder Aaron Dixon, to music video director Stephen Ashley Blake, to friends and contemporaries of Tupac’s mother—Van Nguyen demonstrates how Tupac became one of the most enduring musical legends in hip-hop history, and how intimately his name is threaded with the legacy of Black Panther politics. Van Nguyen reveals how Tupac and Afeni each championed the disenfranchised in distinct ways, and how their mother-son bond charts a narrative of the last fifty years of revolutionary Black American politics. Words for My Comrades is the story of how the energy of the Black political movement was subsumed by culture, and how America produced two of its most iconic, enduring revolutionaries.