From Content Based Music Emotion Recognition To Emotion Maps Of Musical Pieces
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From Content-based Music Emotion Recognition to Emotion Maps of Musical Pieces
The problems it addresses include emotion representation, annotation of music excerpts, feature extraction, and machine learning. The book chiefly focuses on content-based analysis of music files, a system that automatically analyzes the structures of a music file and annotates the file with the perceived emotions. Further, it explores emotion detection in MIDI and audio files. In the experiments presented here, the categorical and dimensional approaches were used, and the knowledge and expertise of music experts with a university music education were used for music file annotation. The automatic emotion detection systems constructed and described in the book make it possible to index and subsequently search through music databases according to emotion. In turn, the emotion maps of musical compositions provide valuable new insights into the distribution of emotions in music and can be used to compare that distribution in different compositions, or to conduct emotional comparisons of different interpretations of the same composition.
Music Emotion Recognition
Providing a complete review of existing work in music emotion developed in psychology and engineering, Music Emotion Recognition explains how to account for the subjective nature of emotion perception in the development of automatic music emotion recognition (MER) systems. Among the first publications dedicated to automatic MER, it begins with
Deep Learning in Personalized Music Emotion Recognition
Music has a unique power to evoke strong emotions in us—bringing us to tears, lifting us into ecstasy or triggering vivid memories. Often described as a universal language, it conveys feelings that transcend words. But are machines, too, able to understand this language and capture emotions conveyed in music? This book delves into the field of Musical Emotion Recognition (MER), aiming to develop a mathematical model to predict the emotional content of music. It explores the fundamentals of this interdisciplinary research area, including the relationship between music and emotions, mathematical representations of music and deep learning algorithms. Two MER models are developed and evaluated: one employing handcrafted audio features with a long short-term memory architecture and the other using embeddings from the pre-trained music understanding model MERT. Results show that MERT embeddings can enhance predictions compared to traditional handcrafted features. Additionally, driven by the subjectivity of musical emotions and the low inter-rater agreement of annotations, this book investigates personalized emotion recognition. The findings suggest that personalized models surpass the limitations of general MER systems and can even outperform a theoretically perfect general MER system.