From A Whisper To A Scream Lyrics
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The Words and Music of Elvis Costello
Author: James E. Perone
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2015-05-26
This book provides in-depth analysis of the words, music, and recordings of Elvis Costello, one of the most enigmatic, eclectic, and critically acclaimed singer-songwriters of the rock era. Elvis Costello is one of the greatest pop songwriters of his generation as well as one of the most significant songwriters of the 20th century. His career's length now approaching four decades, Costello continues to be vital part of pop culture through live performances, recordings, and the iconic nature of his work. The Words and Music of Elvis Costello provides in-depth analysis of this important artist's words, music, and recordings. Arranged chronologically, the book places Costello in the cultural context of his time and place; addresses the overlaps between rock, classical, torch song, and jazz in Costello's highly eclectic range of songs from 1975 to the present; provides a look at the uniquely British aspects of his work; and uniquely spotlights his compositional techniques and approaches to musical form. The book covers everything from Costello's first album My Aim Is True as well as his other albums in the 1970s to his body of work in the '80s and '90s to his continuing eclecticism in the 21st century as he successfully integrates what would appear to be mutually exclusive genres. The concluding chapter provides analysis of the critical commentary about Elvis Costello's work as a performer and songwriter over his long career.
Led Zeppelin
“In this authoritative, unsparing history of the biggest rock group of the 1970s, Spitz delivers inside details and analysis with his well-known gift for storytelling.” —PEOPLE From the author of the iconic, bestselling history of The Beatles, the definitive account of arguable the greatest rock band of all time. Rock star. Whatever that term means to you, chances are it owes a debt to Led Zeppelin. No one before or since has lived the dream quite like Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In Led Zeppelin, Bob Spitz takes their full measure, separating myth from reality with his trademark connoisseurship and storytelling flair. From the opening notes of their first album, the band announced itself as something different, a collision of grand artistic ambition and brute primal force, of English folk music and African American blues. Spitz’s account of their artistic journey, amid the fascinating ecosystem of popular music, is irresistible. But the music is only part of the legend: Led Zeppelin is also the story of how the sixties became the seventies, of how innocence became decadence, of how rock took over. Led Zeppelin wasn’t the first band to let loose on the road, but as with everything else, they took it to an entirely new level. Not all the legends are true, but in Spitz’s careful accounting, what is true is astonishing and sometimes disturbing. Led Zeppelin gave no quarter, and neither has Bob Spitz. Led Zeppelin is the long-awaited full reckoning the band richly deserves.
New Millennial Sexstyles
New Millennial Sexstyles questions the twin feminist orthodoxies that the 1960s sexual revolution failed women and that the sexual attitudes most prominent in current youth cultures are deplorably regressive. Comparing the American sexscape she inhabits to the vision of contemporary culture produced by feminist theorists, Carol Siegel considers whether the sexual revolution may have succeeded, but in ways not recognized by current academic studies of gender and sexuality. In discouraging undomesticated heterosexuality, academic feminism ignores the connection between mainstream opposition to all unrestrained sexual expression and the growth of new forms of homophobia in our times. At the same time, the youth subcultures' challenges to these views of sexuality and gender have been dismissed as insignificant, or misunderstood as sexist. In this book, they receive more respectful attention. Siegel draws on her own experience as a college student to create a personal history of academic feminism's early sympathy with bourgeois values. She looks at the development of American sex advice literature and at the reception of such ""transgressive"" popular films as Basic Instinct, Thelma and Louise, and Natural Born Killers to demonstrate that the most profoundly capitalist feminist theories have always been the most culturally authoritative. A more encouraging vision emerges in the book's second half, where a record of conversations about sex and gender with young people, and of their responses to products designed for their consumption, takes the reader through some of today's most radical youth cultures and suggests new directions for gender studies.