Franz Schuberts Lazarus Und Das Wiener Oratorium Zu Beginn Des 19 Jahrhunderts
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Franz Schuberts "Lazarus" und das Wiener Oratorium zu Beginn des 19. Jahrhunderts
Die uberlieferte Reinschrift seines Lazarus bricht kurz vor Ende des zweiten Teils jah ab - hatte Schubert hier wieder kompositorisches Niemandsland betreten, eine kuhne Vorwegnahme musikdramatischer Formprinzipien unternommen, deren Einlosung erst spateren Generationen vorbehalten sein sollte? Schaffenskrise oder schlicht eine geplatzte Auftragsarbeit? - zwischen diesen Polen orientiert sich die vorliegende Untersuchung an Kriterien, die die Autorin beim Versuch einer gattungsmassigen Einordnung in die Wiener Traditionen nebst ihres schillernden oratorischen Umfeldes vorab erst entwickelt. Zugleich werden Materialien zur Geschichte des Oratoriums, zur Zensurpraxis der k.k. Polizeibehorde um 1820 und zur Kirchenmusikpflege in Osterreich bereitgestellt. "...schliesst eine bedeutende Lucke nicht nur im Hinblick auf Franz Schubert, sondern auch hinsichtlich der Geschichte des Oratoriums in Wien zwischen 1770 und 1830, von der bislang keine so umfassende Darstellung und Materialiensammlung existierte. (...) Die Arbeit von Christine Blanken zeichnet sich nicht nur durch eine imponierende Fulle an Material verschiedenster Art und durch ideenreichen Wechsel von Forschungsstandpunkten aus, sondern auch durch eine gluckliche Hand im Aussondern oder Verknupfen der gewonnenen Fakten. Sie darf daher uber die interessante und wichtige Thematik hinaus geradezu als exemplarisch und fur jeden Schubertianer als Pflichtlekture bezeichnet werden." Schubert : Perspektiven "...eine wertvolle Bereicherung sowohl der Schubertliteratur als auch der Musikgeschichte Wiens..." Osterreichische Musikzeitschrift "Unbedingt zu empfehlen!" Musicologica Austriaca
Schubert
Author: Lorraine Byrne Bodley
language: en
Publisher: Yale University Press
Release Date: 2023-01-01
An insightful biography of the great composer, revealing Schubert's complex and fascinating private life alongside his musical genius Brilliant, short-lived, incredibly prolific--Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert's life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one. Drawing on extensive archival research in Vienna and the Czech Republic, and reconsidering the meaning of some of his best-known works, Bodley provides a fuller account than ever before of Schubert's extraordinary achievement and incredible courage. This is a compelling new portrait of one of the most beloved composers of the nineteenth century.
Rethinking Schubert
Author: Lorraine Byrne Bodley
language: en
Publisher: Oxford University Press
Release Date: 2016-08-05
In Rethinking Schubert, today's leading Schubertians offer fresh perspectives on the composer's importance and our perennial fascination with him. Subjecting recurring issues in historical, biographical and analytical research to renewed scrutiny, the twenty-two chapters yield new insights into Schubert, his music, his influence and his legacy, and broaden the interpretative context for the music of his final years. With close attention to matters of style, harmonic and formal analysis, and text setting, the essays gathered here explore a significant portion of the composer's extensive output across a range of genres. The most readily explicable aspect of Schubert's appeal is undoubtedly our continuing engagement with the songs. Schubert will always be the first port of call for scholars interested in the relationship between music and the poetic text, and several essays in Rethinking Schubert offer welcome new inquiries into this subject. Yet perhaps the most striking feature of modern scholarship is the new depth of thought that attaches to the instrumental works. This music's highly protracted dissemination has combined with a habitual critical hostility to produce a reception history that is hardly congenial to musical analysis. Empowered by the new momentum behind theories of nineteenth-century harmony and form and recently-published source materials, the sophisticated approaches to the instrumental music in Rethinking Schubert show decisively that it is no longer acceptable to posit Schubert's instrumental forms as flawed lyric alternatives to Beethoven. What this volume provides, then, is not only a fresh portrait of one of the most loved composers of the nineteenth century but also a conspectus of current Schubertian research. Whether perusing unknown repertoire or refreshing canonical works, Rethinking Schubert reveals the extraordinary methodological variety that is now available to research, painting a contemporary portrait of Schubert that is vibrant, plural, trans-national and complex.