Frank Lloyd Wright And The Meaning Of Materials
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Frank Lloyd Wright and the Meaning of Materials
Author: Terry L. Patterson
language: en
Publisher: Van Nostrand Reinhold Company
Release Date: 1994
In his richly illustrated Frank Lloyd Wright and the Meaning of Materials, Patterson takes an unprecedented look at more than 240 of Wright's buildings and projects - the justly celebrated triumphs as well as lesser-known, but no less telling, structures. In the book's core chapters, each devoted to a specific material, he objectively analyzes Wright's handling of wood, stone, brick, concrete block, metals, concrete, and glass. Methodically, he examines whether the form, workability, strength, and durability of each material - its essence - has been emphasized, subdued, or misrepresented in these tangible architectural "expressions". Throughout, Patterson uniquely juxtaposes the reality of Wright's "overall material sensitivity" with nearly 200 of Wright's own pronouncements on the subject. For the first time, architects, designers, and art historians see - in the truest sense - whether Wright's final achievements are consonant with his ambitious aims. Importantly, readers are encouraged to reach their own conclusions, which may differ from Patterson's own deeply felt judgments.
Frank Lloyd Wright and Le Corbusier
Author: Richard A. Etlin
language: en
Publisher: Manchester University Press
Release Date: 1994
Architectural historian Etlin defines the main principles of progressive 19th-century architectural thought: the architectural system, the picturesque, philosophical eclecticism, and the spirit of the times. These principles are explored in detail in relation to 19th- and 20th-century architecture, and also to demonstrate their importance to the work of Wright and Le Corbusier. Illustrated with drawings and photos. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
The Material Imagination
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practice, the material imagination is employed when the architect 'thinks matter, dreams in it, lives in it, or, in other words, materializes the imaginary.' As an alternative to a formal approach in architectural design, this book challenges readers to rethink the reverie of materials in architecture through an examination of historical precedent, architectural practice, literary sources, philosophical analyses and everyday experience. Focusing on matter as the premise of an architect’s imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.