Foundlings
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Foundlings
Author: Christopher Nealon
language: en
Publisher: Duke University Press
Release Date: 2001-10-08
What is it like to “feel historical”? In Foundlings Christopher Nealon analyzes texts produced by American gay men and lesbians in the first half of the twentieth century—poems by Hart Crane, novels by Willa Cather, gay male physique magazines, and lesbian pulp fiction. Nealon brings these diverse works together by highlighting a coming-of-age narrative he calls “foundling”—a term for queer disaffiliation from and desire for family, nation, and history. The young runaways in Cather’s novels, the way critics conflated Crane’s homosexual body with his verse, the suggestive poses and utopian captions of muscle magazines, and Beebo Brinker, the aging butch heroine from Ann Bannon’s pulp novels—all embody for Nealon the uncertain space between two models of lesbian and gay sexuality. The “inversion” model dominant in the first half of the century held that homosexuals are souls of one gender trapped in the body of another, while the more contemporary “ethnic” model refers to the existence of a distinct and collective culture among gay men and lesbians. Nealon’s unique readings, however, reveal a constant movement between these two discursive poles, and not, as is widely theorized, a linear progress from one to the other. This startlingly original study will interest those working on gay and lesbian studies, American literature and culture, and twentieth-century history.
Nationality of Foundlings
This is the first book dedicated to clarifying the concept of “foundlings” and how to best prevent their statelessness in light of the object and purpose of Article 2 of the 1961 UN Convention on the Reduction of Statelessness and equivalent nationality law provisions. Among other features, the book defines the terms “foundling,” including the maximum age limit of the child to be considered a “foundling”; “unknown parents”; being “found” in a territory; and “proof to the contrary”; as well as the procedural issues such as the appropriate burden and standard of proof. In doing so, the book draws upon a comparative analysis of national legislation on “foundlings” covering 193 states, case law, and precedents in some states as well as international human rights law norms including the best interests of the child. As its conclusion, the book proposes an inclusive model “foundling provision” and a commentary to inform legislative efforts and interpretation of the existing provisions. Its findings are useful not only to state parties to the 1961 Convention but also to non-state parties, particularly in countries lacking systematic civil documentation or experiencing the effects of armed conflicts, migration, trafficking, and displacement.
Bastards and Foundlings
Author: Lisa Zunshine
language: en
Publisher: Ohio State University Press
Release Date: 2005
In this compelling interdisciplinary study of what has been called the "century of illegitimacy," Lisa Zunshine seeks to uncover the multiplicity of cultural meanings of illegitimacy in the English Enlightenment. Bastards and Foundlings pits the official legal views on illegitimacy against the actual everyday practices that frequently circumvented the law; it reconstructs the history of social institutions called upon to regulate illegitimacy, such as the London Foundling Hospital; and it examines a wide array of novels and plays written in response to the same concerns that informed the emergence and functioning of such institutions. By recreating the context of the national preoccupation with bastardy, with a special emphasis on the gender of the fictional bastard/foundling, Zunshine offers new readings of "canonical" texts, such as Steele's The Conscious Lovers, Defoe's Moll Flanders, Fielding's Tom Jones, Moore's The Foundling, Colman's The English Merchant, Richardson's Clarissa and Sir Charles Grandison, Burney's Evelina, Smith's Emmeline, Edgewort's Belinda, and Austen's Emma, as well as of less well-known works, such as Haywood's The Fortunate Foundlings, Shebbeare's The Marriage Act, Bennett's The Beggar Girl and Her Benefactors, and Robinson's The Natural Daughter.