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The World As I Found It
Author: Bruce Duffy
language: en
Publisher: New York Review of Books
Release Date: 2011-12-28
This “wicked, melancholy, and . . . astonishing” novel reimagines the lives of three wildly different men adrift in the 20th century: Ludwig Wittgenstein, Bertrand Russell, and G. E. Moore (Newsday). When Bruce Duffy’s The World As I Found It was first published, critics and readers were bowled over by its daring reimagining of the lives of three very different men, the philosophers Bertrand Russell, G. E. Moore, and Ludwig Wittgenstein. A brilliant group portrait with the vertiginous displacements of twentieth-century life looming large in the background, Duffy’s novel depicts times and places as various as Vienna 1900, the trenches of World War I, Bloomsbury, and the colleges of Cambridge, while the complicated main characters appear not only in thought and dispute but in love and despair. Wittgenstein, a strange, troubled, and troubling man of gnawing contradictions, is at the center of a novel that reminds us that the apparently abstract and formal questions that animate philosophy are nothing less than the intractable matters of life and death.
I Found it at the Movies
For nearly half a century Philip French's writing on cinema has been essential reading for filmgoers, cinephiles and anyone who enjoys witty, intelligent engagement with the big screen. His vast knowledge of the medium is matched by his love for it. I Found It at the Movies collects some of the best of Philip French's film writing from 1964 to 2009. Its subjects are as various, entertaining and challenging as cinema itself: Kurosawa and the Addams family; Satyajit Ray and Doris Day; from Hollywood and the Holocaust to British cinema and postage stamps. I Found It at the Movies is an illuminating companion to the world of the cinema. I Found It at the Movies is the first of three collections of Philip French's writings on film and culture
The Land Where I Found It All
Buddhadeva Bose belonged to that generation of Bengali writers of the thirties and forties who fought tooth and nail to escape the all-pervading influence of Rabindranath Tagore to establish their personal idioms. He succeeded, but the fascination, admiration, and awe of the older poet remained. He twice visited Shantiniketan with his family, once in 1938 and then in the summer of 1941, invited by the poet himself. The younger poet, who in youth rebelled against him, now worshipped him and truly loved him. The title of this memoir Sab Peyechhir Deshe (‘The land where I found it all’) says it all. He intended to give this book personally to Rabindranath as a gift of his deep appreciation, but, sadly, by the time the book came out of the press, Rabindranath had passed away. And what had been conceived as a gift of gratitude now turned into an elegy, a younger poet’s homage to his Master. This book has been ever a favourite with Bengali readers, and constitutes an invaluable addition to the study of Tagore and his life.