Form Structure Space Notes On Luigi Moretti S Architectural Theory
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Form, Structure, Space. Notes on Luigi Moretti's Architectural Theory
The Pocket Books series is an assemblage of small publications which compile theoretical texts by various architects or institutions in different collections. These writings reflect different areas of interest and performance in the architectural discourse. For its second edition, written and compiled by Federico Bucci, the series reflects on the multidisciplinary work of Luigi Moretti (1906?1973). He was the embodiment of the intellectual architect, capable of interweaving art and architecture, and his works are considered among the most original examples of Italian modernism. This book reveals the complex aspects of his theory on form and structure, space and time.
Decoding Luigi Moretti's Architettura Parametrica
Author: Giuseppe Canestrino
language: en
Publisher: Taylor & Francis
Release Date: 2025-05-16
Decoding Luigi Moretti’s Architettura Parametrica presents an unprecedented critical discussion of one of the earliest theoretical and practical explorations into the integration of scientific thought, mathematical models, and digital tools in architectural design. Moretti, a renowned professional who engaged in countless intellectual initiatives, developed and refined his architectural vision long before “parametric” became synonymous with computational design. His Architettura Parametrica is an unconventional inquiry of the prospects offered to design practice by digital thinking rather than by digital tools, which were still immature or completely absent at the time. Moretti proposed a unique and still relevant mental landscape that united his fascination with Baroque spatiality, operational research, informal art, optics, cybernetics, ethics, and much more. This research decodes numerous facets of Architettura Parametrica, from the rigid theoretical precepts to the negotiation with design praxis, from the use of equations to aid the research of forms to the speculation on the meaning of architecture through abstract mathematics. This book offers novel perspectives to scholars interested in the interplay between architectural design practice and theory, mathematics and design methods, digital and architectural culture, and to the growing number of practitioners who are crafting personal narratives within the most disruptive computational techniques.
Luigi Moretti
Luigi Moretti: Lessons of SPAZIO focuses on the theoretical work of the Italian architect Luigi Moretti (Rome, 1906–1973). It does so selectively, focusing on the editorials he published between 1950 and 1953 as editor-in-chief of the magazine SPAZIO, as well as a further essay on parametric architecture, published in 1971–1972, in the first issue of the magazine MOEBIUS, directed by his friend Giulio Roisecco. This book rediscovers Moretti's personal impact on international architectural theory through thoughtful comments that shed light on the architect's modernity and original approach. Although Moretti is an architect renowned for his projects and buildings, his theoretical essays are less well-known. The aim of this book is therefore to explore Moretti's theoretical work, which covers many topics, including pictorial art, sculpture, architecture, urban planning, music, cinema, poetry, mathematics, computer science, parametricity. In addition to the translation from Italian to English, the book contains reproductions of the original articles, accompanied by a series of essays of critical commentary and updated interpretations that show new ways of approaching, reading, and understanding the foundations of current architectural theory and its progress over the last 50 years. This book approaches Moretti's thought from a new perspective, with the aim of reconsidering the originality of this brilliant and visionary architect who was intellectually ostracised for many years due to political and ideological contingencies, even though he personified the ideal of the 'Renaissance man' in modern times. A re-reading of Moretti's work is more justified today than has ever been before, both to reconnect the threads with contemporaneity and to make his intensity and farsightedness of vision known to researchers, teachers, and students working in the areas of architecture and design theory, technology, and art today.