Forget My Name Meaning In Bengali
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SRI SRI RAMAKRISHNA KATHAMRITA CENTENARY MEMORIAL
‘Sri Sri Ramakrishna Kathamrita Centenary Memorial' is a Volume published in 1982 on completion of hundred years of Master Mahasay's first meeting with Sri Ramakrishna. This contains articles from prominent sadhus of Sri Ramakrishna Order and devotees on the four subjects 1. Sri Ramakrishna, 2. The Kathamrita, 3. Sri M. and 4. Sri Ma Darshan. The Volume has been, therefore, divided into four parts: 1. Sri Ramakrishna, 2. The Kathamrita, 3. Sri M. and 4. Sri Ma Darshan. Needless to say that the editors were guided into this scheme by Thakur's great dictum: 'Bhakta— Bhagavata-Bhagavan', which if we may interpret means, that God, His Word and His (genuine) Devotee are one and the same. Thus the Volume achieves a unique unity in spite of its being so unplanned! The 26th of February 1882! On this day was created religious history, for from all available evidence, it was on this day that Sri M., the apostle and the evangelist, met his Lord and Master, Sri Ramakrishna, for the first time and heard His divine word which was to bring the Kathamrita, the Nectar of His Word into being, for the peace and bliss of the strifetorn restless world. On being asked which was the greatest event of his life, Sri M., himself said without a moment's hesitation: "The day I had my first darshana of Thakur (Sri Ramakrishna) in February 1882." To celebrate this great day Sri Ma Trust promised a yajna, by collecting all available views on the Kathamrita and its Recorder and publish them in the form of a Centenary Memorial which we hoped would help remind our readers of the glory of the Great Master, his Word and his Evangelist. Sadhus and devotees of Sri Ramakrishna were therefore invited to offer their ahutis (oblations) in the form of write-ups into this holy venture.
Childhood Days
Frank and funny, these stories written originally for the Bengali children's magazine Sandesh, are an essential read for all Ray enthusiasts as well as those who want to know Ray, the writer and film-maker, better. In this volume, Ray also shares some of his experiences while shooting Pather Panchali—his epic debut, and subsequent films, particularly for children. He describes how an entire field of kaash flowers was eaten up by cows before he could shoot his famous scene with the train in Pather Panchali; and how a circus tiger let loose in a bamboo grove chased away a group of curious onlookers in the blink of an eye.
Shoondor
Anwyn Morgan, a naïve “missionary kid” takes you into her heart and mind unraveling her journey through a life of turning away from God and doing things her own way. She goes to India as the young bride of Benoy Guha to begin their fairy-tale marriage. He is handsome, rich and available. She just turned twenty-one and is eager for freedom and independence; a new beginning. Why wait? Benoy has been away too long from his cultural upbringing and so forgotten the rules and regulations of living with parents. His mother takes an instant dislike to Anwyn. Who can blame her? When the two women first meet, Benoy is too timid to introduce Anwyn as his wife. Locked in a space between two cultures, ethnicities and unsolved differences, Anwyn feels stifled living in a “joint family” system but tries hard to fit the mold of a meek, respectful wife. Benoy, who has reverted to a more orthodox lifestyle, struggles with her strong will and independent spirit realizing that along with depriving his mother the privilege of choosing his bride, he has perhaps made the wrong choice.