Foce
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La Foce
Author: Benedetta Origo
language: en
Publisher: University of Pennsylvania Press
Release Date: 2001-10-26
Situated in the Val d'Orcia, a wide valley in southeastern Tuscany, La Foce is run by Benedetta and Donata Origo, and is open to the public one day a week.".
La Foce
Author: Katia Lysy
language: en
Publisher: Rizzoli International Publications
Release Date: 2024-09-17
Discover La Foce, the Renaissance villa and classically inspired twentieth-century garden, at the dawn of its hundredth anniversary—once a barren Tuscan estate brought to life through the extraordinary vision and determination of Iris and Antonio Origo. In 1924, English-born biographer and writer Iris Origo (1902–1988) and her husband, Antonio, purchased La Foce, a sprawling estate centered around a half-ruined fifteenth-century villa with a dream that was as ambitious as it was audacious. Guided by a deep-seated desire to make a difference, the Origos dedicated their lives to transforming an impoverished terrain into a thriving landscape of wheat fields, olive groves, and vineyards. With English architect Cecil Pinsent, they refurbished the house and designed an elegant terraced garden with box hedges, a rose garden, fountains, and a wisteria-covered pergola. The dramatic story of La Foce—from the taming of the wild valley and personal loss to wartime strife—is told by the Origos’ granddaughter Katia Lysy, with reminiscences by Benedetta Origo, the couple’s elder daughter. The letters and diaries of Iris Origo weave beautifully into a personal narrative of the creation of the property and the people behind it. Newly commissioned photographs by Simon Upton and Matteo Carassale, a foldout annotated view of the property, and a recently discovered cache of unpublished images of the creation of the garden in the 1920s bring to life the rich history of the magnificent property.
Towards the River’s Mouth (Verso la foce), by Gianni Celati
Author: Patrick Barron
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2018-12-03
Italian writer and filmmaker Gianni Celati’s 1989 philosophical travelogue Towards the River’s Mouth explores perception, memory, place and space as it recounts a series of journeys across the Po River Valley in northern Italy. The book seeks to document the “new Italian landscape” where divisions between the urban and rural were being blurred into what Celati terms “a new variety of countryside where one breathes an air of urban solitude.” Celati traveled by train, by bus, and on foot, at times with photographer Luigi Ghirri, at others exploring on his own without predetermined itineraries, taking notes on the places he encountered, watching and listening to people in stations, fields, bars, houses, squares, and hotels. In this way the book took shape as Celati traveled and wrote, gathering and rewriting his notes into “stories of observation” (9). Celati attempts to find meaning by seeking the uncertain limits of our ability to discern everyday surroundings. “Every observation,” as he puts it, “needs liberate itself from the familiar codes it carries, to go adrift in the middle of all things not understood, in order to arrive at an outlet, where it must feel lost.” At the forefront of the then-nascent spatial turn in the humanities, Towards the River’s Mouth is a key text of what in recent years has been variously termed literary cartography, literary geography, and spatial poetics. Its call to carefully and affectionately examine our surroundings while attempting to step back from habitual ways of perceiving and moving through space, has resonated as much with literary scholars and other writers as with geographers and architects. By now a classic of twentieth-century Italian literature, it has in recent years garnered increasing attention, especially with the growth of ecocriticism and new materialism within the environmental humanities. This edition, translated into English for the first time, features an introduction that places Towards the River’s Mouth in the context of Celati’s other work, and a selection of ten scholarly essays by prominent figures in comparative literature and Italian studies.