Five Novels
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Indian Metaphysics in Lawrence Durrell’s Novels
Author: Ravindran Nambiar
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2014-01-08
In this study of the influence of Indian metaphysics on Lawrence Durrell’s novels, Professor Nambiar offers a unique milestone in the history of Durrellian criticism. Embracing Durrell’s search for universal awareness through Western and Indian metaphysics, the book presents a new metaphysical reading of the writer’s prose that has remained untapped until now. Exploring Durrell’s quest for a new reality through fiction, Nambiar focuses in-depth on The Avignon Quintet and questions the complex symbolic patterns that shape the polymorphous characters’ peregrinations through space and time. With much subtlety, modesty and wit, Indian Metaphysics in Lawrence Durrell’s Novels opens up the mysterious doors of “the kingdom of the imagination”.
Prose Fiction of the Cuban Revolution
Author: Seymour Menton
language: en
Publisher: University of Texas Press
Release Date: 2014-05-23
Recipient of the Hubert Herring Memorial Award from the Pacific Coast Council on Latin American Studies for the best unpublished manuscript of 1973, Prose Fiction of the Cuban Revolution is an in-depth study of works by Cubans, Cuban exiles, and other Latin American writers. Combining historical and critical approaches, Seymour Menton classifies and analyzes over two hundred novels and volumes of short stories, revealing the extent to which Cuban literature reflects the reality of the Revolution. Menton establishes four periods—1959–1960, 1961–1965,1966–1970, and 1971–1973—that reflect the changing policies of the revolutionary government toward the arts. Using these periods as a chronological guideline, he defines four distinct literary generations, records the facts about their works, establishes coordinates, and formulates a system of literary and historical classification. He then makes an aesthetic analysis of the best of Cuban fiction, emphasizing the novels of major writers, including Alejo Carpentier's El siglo de las luces, and José Lezama Lima's Paradiso. He also discusses the works of a large number of lesser-known writers, which must be considered in arriving at an accurate historical tableau. Menton's exploration of the short story combines a thematic and stylistic analysis of nineteen anthologies with a close study of six authors: Guillermo Cabrera Infante, Calvert Casey, Humberto Arenal, Antonio Benítez, Jesús Díaz Rodríguez, and Norberto Fuentes. Several chapters are devoted to the increasing number of novels and short stories written by Cuban exiles as well as to the eighteen novels and one short story written about the Revolution by non-Cubans, such as Julio Cortázar, Carlos Martínez Moreno, Luisa Josefina Hernández, and Pedro Juan Soto. In studying literary works to reveal the intrinsic consciousness of a historical period, Menton presents not only his own views but also those of Cuban literary critics. In addition, he clarifies the various changes in the official attitude toward literature and the arts in Cuba, using the revolutionary processes of several other countries as comparative examples.
The Bourgeois Gentleman
Classic satire, one of the best by France’s greatest comedic playwright, pokes fun at the sham and hypocrisy of 17th-century French society. A wealthy tradesman, Monsieur Jourdain, yearns to become a gentleman in order to win the hand of a marchioness—disregarding the inconvenient fact that he is already married—but only succeeds in making a fool of himself.