Feminisms With Chinese Characteristics
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Feminisms with Chinese Characteristics
Author: Ping Zhu
language: en
Publisher: Syracuse University Press
Release Date: 2021-12-28
The year 1995, when the Fourth World Conference on Women was held in Beijing, marks a historical milestone in the development of the Chinese feminist movement. In the decades that followed, three distinct trends emerged: first, there was a rise in feminist NGOs in mainland China and a surfacing of LGBTQ movements; second, social and economic developments nurtured new female agency, creating a vibrant, women-oriented cultural milieu in China; third, in response to ethnocentric Western feminism, some Chinese feminist scholars and activists recuperated the legacies of socialist China’s state feminism and gender policies in a new millennium. These trends have brought Chinese women unprecedented choices, resources, opportunities, pitfalls, challenges, and even crises. In this timely volume, Zhu and Xiao offer an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural "feminisms" with "Chinese characteristics," they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and, stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. The twelve chapters in this interdisciplinary collection address the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization.
Subjectivity and Sexuality in Contemporary Chinese Feminist Writing
Author: Ruttapond Swanpitak
language: en
Publisher: Springer Nature
Release Date: 2025-02-17
This book explores representations of female sexuality and subjectivity in contemporary Chinese fiction by three women writers, published from 1986 to 2000, from the perspective of poststructuralist feminism. It discusses the representative works of authors, Wang Anyi, Tie Ning and Chi Li, who are well known in the Chinese literary field. However, their works have not, to date, been analysed through the poststructuralist feminism’s notions of subjectivity, femininity and transgression. This book, then, provides detailed analysis of each writer and draws comparisons between their works to provide an extended consideration of female sexuality and subjectivity within post-Mao Chinese fiction. In this respect, this book not only offers fresh insights into the three authors’ fiction but also contributes to the feminist study of Chinese women’s writing. Additionally, the research contributes to a better understanding of contemporary Chinese culture in relation to patriarchy, misogyny, feminism, differences and resistance. It is relevant to scholars in the fields of China studies, Chinese literature, feminist literature and gender studies.
Chinese Modernity and Socialist Feminist Theory
This book assembles translations of the work of leading critical socialist feminist Song Shaopeng, presenting a concise narrative which theorizes China’s political and social development through a gendered lens. Providing insightful editor introductions, the book explores poignant themes from the late imperial to the contemporary eras to examine the evolution of Chinese socialist feminism. This includes analysis of the relationship between the party-state and the women’s movement, the gains and losses of collectivism for women’s liberation, and the inadequacy of contemporary gender studies in China at addressing the ongoing influence of political economy on the lives of women in China. Offering a succinct exploration of the historical and theoretical context of Song Shaopeng’s writings, this book will be a valuable resource for students and scholars of Chinese history and politics, as well as those of Chinese feminism and intellectual history.