Fashion Theory Volume 3 Issue 4


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Fashion Theory: Volume 3, Issue 4


Fashion Theory: Volume 3, Issue 4

Author: Valerie Steele

language: en

Publisher: Bloomsbury Academic

Release Date: 1999-11-01


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Special issue on fashion and eroticism Valerie Steele: Letter from the Editor William Keenan: From Friars to Fornicators: The Eroticization of Sacred Dress Peter McNeil: ‘That Doubtful Gender': Macaroni Dress and Male Sexualities Valerie Steele: The Corset: Fashion and Eroticism Eric Henry: The Social Significance of Nudity in Early China Rebecca Arnold: The Brutalized Body John S. Major: Book Review: Dress, Sex and Text in Chinese Culture, edited by Antonia Finnane and Anne McLaren New MA Pathway in the History, Theory and Culture of Fashion at London College of Fashion Annual Index

Fashion at the Edge


Fashion at the Edge

Author: Caroline Evans

language: en

Publisher: Yale University Press

Release Date: 2003-01-01


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Caroline Evans analyses the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies? Drawing on a variety of literary and theoretical perspectives - from Marx to Benjamin - Evans argues that fashion plays a leading role in constructing images and meanings during periods of rapid change. She shows persuasively that fashion stands at the very centre of the contemporary, where it voices some of Western culture's deepest concerns.

Fashion as Communication


Fashion as Communication

Author: Malcolm Barnard

language: en

Publisher: Routledge

Release Date: 2013-10-18


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What kinds of things do fashion and clothing say about us? What does it mean to wear Gap or Gaultier, Milletts or Moschino? Are there any real differences between Hip-Hop style and Punk anti-styles? In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities. Drawing on a range of theoretical approaches from Barthes and Baudrillard to Marxist, psychoanalytic and feminist theory, Barnard addresses the ambivalent status of fashion in contemporary culture.


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