Facets Of Qing Daoism
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Facets of Qing Daoism
As China is rapidly reemerging as the world’s dominant economic powerhouse that it had been until the mid-eighteenth century, interest in its religions and philosophies is on the rise. Just as the history and culture of Western civilizations can hardly be grasped without a measure of knowledge about Christianity, an understanding of Chinese civilization and its history seems impossible without some comprehension of Daoism. Though it has long been clear that modern Daoism has its roots in Daoist movements of the Qing dynasty (1644–1911), research on premodern Daoism had been largely neglected. Published in six languages (Italian, French, English, German, Chinese, and Japanese), the pioneering studies by Monica Esposito (1962-2011) on Qing Daoism have been instrumental in kindling keen scholarly interest both in the West and in China and Japan. This book presents corrected and augmented versions of three of Dr Esposito's seminal articles that had originally been published in English ("Daoism in the Qing," "The Longmen School and its Controversial History," and "Longmen Daoism in Qing China: Doctrinal Ideal and Local Reality") along with English versions of two articles that had hitherto only been available in Japanese and Chinese: "Beheading the Red Dragon: The Heart of Feminine Alchemy" and "An Example of Daoist and Tantric Interaction during the Qing Dynasty: The Longmen xinzong." In addition, this volume contains a bibliography of all her publications and a detailed index.
Facets of Qing Daoism
Presents revised and augmented versions of five of Monica Esposito's seminal articles. Three had originally been published in English, and the remaining two are her English versions of articles that had hitherto only been available in Japanese. In addition it contains a bibliography of all her publications.
Creative Daoism
Just as Christianity has its Vatican in Rome, modern Daoism boasts of a unique center of religious authority and administration: the Temple of the White Clouds (Baiyun guan) in Beijing, seat of the general headquarters of the Chinese Daoist Association. This temple complex in Beijing, called by Dr Esposito “modern Daoism’s Vatican,” houses the grave of the mythical founder of Daoism’s Quanzhen tradition and celebrates the patriarchs of its Longmen (”Dragon Gate”) branch as his legitimate heirs. This book shows in detail how Daoist masters and historiographers in China, much like their Catholic counterparts in Europe, invented a glorious patriarchal lineage as well as a system of ordination designed to perpetuate orthodox transmission and central control. They also created a kind of New Testament: a new canonical collection of scriptures entitled “The Gist of the Daoist Canon” (Daozang jiyao). This ultimate canon of Daoism contains hundreds of texts including the Daoist classic The Secret of the Golden Flower which achieved fame through the commentary by Swiss psychologist Carl Gustav Jung. A classic study on the invention of religious traditions, the four parts of Creative Daoism describe the creation of the Daoist Vatican's Longmen lineage of patriarchs, system of ordination, canon of sacred scriptures, and doctrine of universal salvation.