Everything Within And In Between By Nikki Barthelmess
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Everything Within and In Between
Color Me In meets I Am Not Your Perfect Mexican Daughter in Everything Within and In Between, a deeply honest coming-of-age story about reclaiming a heritage buried under assimilation, the bonds within families, and defining who you are for yourself. For Ri Fernández’s entire life, she’s been told, “We live in America and we speak English.” Raised by her strict Mexican grandma, Ri has never been allowed to learn Spanish. What’s more, her grandma has pulled Ri away from the community where they once belonged. In its place, Ri has grown up trying to fit in among her best friend’s world of mansions and country clubs in an attempt try to live out her grandmother’s version of the “American Dream.” In her heart, Ri has always believed that her mother, who disappeared when Ri was young, would accept her exactly how she is and not try to turn her into someone she’s never wanted to be. So when Ri finds a long-hidden letter from her mom begging for a visit, she decides to reclaim what Grandma kept from her: her heritage and her mom. But nothing goes as planned. Her mom isn’t who Ri imagined she would be and finding her doesn’t make Ri’s struggle to navigate the interweaving threads of her mixed heritage any less complicated. Nobody has any idea of who Ri really is—not even Ri herself. Everything Within and In Between is a powerful new young adult novel about one young woman’s journey to rediscover her roots and redefine herself from acclaimed author Nikki Barthelmess.
Boat Girl
Author: Elizabeth Foscue
language: en
Publisher: Turner Publishing Company
Release Date: 2023-06-27
From the author of Pest—a Washington Post Noteworthy Book—comes a hilarious new novel that showcases the author’s talents at their best. Fifteen-year-old Caitlin Davies’s life is challenging enough. She’s short. She’s scrawny. She prefers Evernote to SnapChat. She’s two years younger than everyone else in her grade. And now her parents are taking the family to the British Virgin Islands (BVI)—for a year—to live on a derelict sailboat, bought sight-unseen from navigationally-impaired cigar smugglers. So when her best—and only—friend suggests she use the move as a chance to reinvent herself, Caitlin has nothing to lose. And it works. People (plural!) in the BVI actually like her, and not only because of the interesting stuff she found beneath her new home’s splintery floorboards. Even Tristan, the cutest guy on the island, is beguiled by her easygoing air and artfully padded bikini top. She just can’t help wondering, though, if New Caitlin and the real Caitlin have anything in common. And when the sailboat’s former owners come looking for their forgotten contraband, she wonders if she’ll ever get the chance to find out. With a fresh style and perspective, and bursting with humor and charm, Boat Girl is a quirky and fast-paced YA coming-of-age story that will have you laughing out loud.
Welcome to Oxnard
Author: Cristina Herrera
language: en
Publisher: University of Pittsburgh Press
Release Date: 2024-07-15
Michele Serros (1966–2015) is widely known for her groundbreaking book Chicana Falsa and Other Stories of Death, Identity, and Oxnard. Despite her status as a major figure in Chicanx literature, no scholar has written a book-length examination of her body of poetry, fiction, and nonfiction—until now. Cristina Herrera, also from Oxnard, weaves in history, autoethnography, and literary analysis to explore Chicana adolescence and young womanhood with a focus on place-making. Factoring in location, region, and landscape, Herrera asks what it means to grow up Chicana in settings that carry centuries of colonial violence, segregation, and everyday racism against Mexican American communities. She contends that Serros used her hometown to broaden understandings of who and what constitutes Chicanx communities and identities. By reading Serros’s work in tandem with her lived experience in the same setting, Herrera uncovers moments of adolescent subjectivity that could only be vocalized and constructed within this particular locale. Herrera pushes against the tendency to separate the author from the text and argues for a spatial understanding of Chicana adolescence, race, class, and young womanhood.