Everything Must Go The Stories We Tell About The End Of The World

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Everything Must Go

A brilliantly original exploration of our obsession with the end of the world, from Mary Shelley’s The Last Man to the HBO’s The Last of Us. 'Will make you happy to be alive and reading – until the lights go out . . . Brilliant' – The Spectator 'Clever and voluminous . . . So engagingly plotted and written’ – The Guardian We have always told ourselves stories about the end of the world. Long before we watched superintelligent AI wage war on humanity in The Terminator, or read about a catastrophic deluge in J. G. Ballard’s The Drowned World, art, literature and politics were all haunted by recurring visions of apocalypse. In Everything Must Go – a colourful, witty and stirring cultural history of the modern world that weaves in politics, history and science – Dorian Lynskey explores the endings that we have read, listened to, or watched with morbid fascination, from the sci-fi terrors of H. G. Wells and John Wyndham to the apocalyptic ballads of Bob Dylan and planet-shattering movie blockbusters. Whether we’re fantasizing about nuclear holocaust or a collision with an asteroid, a devastating pandemic or a robot revolution, why do we like to scare ourselves, and why do we keep coming back for more? And how do fictional premonitions of the end play into real-life responses to existential threats? Deeply illuminating about our past and our present, and surprisingly hopeful about our future, Everything Must Go will grip you from beginning to, well, end. 'I was blown away by this book' – Sathnam Sanghera, author of Empireland 'Impossibly epic, brain-expanding, life-affirming and profound' – Ian Dunt, author of How Westminster Works . . . and Why It Doesn't
Everything Must Go

A rich, captivating, and darkly humorous look into the evolution of apocalyptic thought, exploring how film and literature interact with developments in science, politics, and culture, and what factors drive our perennial obsession with the end of the world. As Dorian Lynskey writes, “People have been contemplating the end of the world for millennia.” In this immersive and compelling cultural history, Lynskey reveals how religious prophecies of the apocalypse were secularized in the early 19th century by Lord Byron and Mary Shelley in a time of dramatic social upheaval and temporary climate change, inciting a long tradition of visions of the end without gods. With a discerning eye and acerbic wit, Lynskey examines how various doomsday tropes and predictions in literature, art, music, and film have arisen from contemporary anxieties, whether they be comets, pandemics, world wars, the Cuban Missile Crisis, Y2K, or the climate emergency. Far from being grim, Lynskey guides readers through a rich array of fascinating stories and surprising facts, allowing us to keep company with celebrated works of art and the people who made them, from H.G. Wells, Jack London, W.B. Yeats and J.G. Ballard to The Twilight Zone, Dr. Strangelove, Mad Max and The Terminator. Prescient and original, Everything Must Go is a brilliant, sweeping work of history that provides many astute insights for our times and speaks to our urgent concerns for the future.
What Do We Know and What Should We Do About Abolishing Prisons?

A critical exploration of the role and (in)effectiveness of prisons in contemporary society. It challenges popular misconceptions about what prison is and does, explains links between prison, social inequality and social power, analyses the limits of liberal prison reform, and openly champions an evidence based approach to prison abolition.