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Ethiopia: A New Start?


Ethiopia: A New Start?

Author: KJETIL TRONVOLL

language: en

Publisher: Minority Rights Group

Release Date: 2000-04-03


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Despite having been equated with the ancient Abyssinian cultures of Amhara and Tigray for centuries, there are at least 80 different ethnic groups within Ethiopia. Until recently, there has been little understanding of their cultures and traditions. Ethiopia has traditionally been governed from the centre – one of the reasons for the growth of Eritrean nationalist movements, which led to the eventual independence of Eritrea. This centralization and oppression of different ethnic groups led to the Ethiopian People’s Revolutionary Democratic Front (EPRDF) coming to power in 1991, and promising that Ethiopia’s peoples would no longer live under a centralized system, which oppressed the majority of the population. The new government went on to restructure the State, forming an ethnic federation with regional ethnically-based states and creating a most radical and progressive Constitution. The Constitution guarantees ethnic groups a wide range of rights – including secession from the ethnic federation. Yet the government is beset by claims from opposition parties and national and international human rights organizations that it is guilty of widespread violations of human rights. Furthermore, many ordinary Ethiopians are sceptical of the government’s agenda, questioning its commitment to promoting the rights of all ethnic groups. MRG’s Report Ethiopia: A New Start? analyzes the Constitution, which the government has fashioned in order to create confidence among ethnic groups and minorities in Ethiopia. The Report discusses the Constitution’s key points and focuses on implementation within the federation, assessing the claims of the government’s detractors. The report’s author, Kjetil Tronvoll, gives a balanced historical background to these issues and covers some of the principal areas for Ethiopia’s social, economic and political development. The Report concludes with a series of recommendations aimed at the Ethiopian government and the international community. Please note that the terminology in the fields of minority rights and indigenous peoples’ rights has changed over time. MRG strives to reflect these changes as well as respect the right to self-identification on the part of minorities and indigenous peoples. At the same time, after over 50 years’ work, we know that our archive is of considerable interest to activists and researchers. Therefore, we make available as much of our back catalogue as possible, while being aware that the language used may not reflect current thinking on these issues.

Seeing Israeli and Jewish Dance


Seeing Israeli and Jewish Dance

Author: Judith Brin Ingber

language: en

Publisher: Wayne State University Press

Release Date: 2011


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A comprehensive survey of historical and contemporary Jewish dance. In Seeing Israeli and Jewish Dance, choreographer, dancer, and dance scholar Judith Brin Ingber collects wide-ranging essays and many remarkable photographs to explore the evolution of Jewish dance through two thousand years of Diaspora, in communities of amazing variety and amid changing traditions. Ingber and other eminent scholars consider dancers individually and in community, defining Jewish dance broadly to encompass religious ritual, community folk dance, and choreographed performance. Taken together, this wide range of expression illustrates the vitality, necessity, and continuity of dance in Judaism. This volume combines dancers' own views of their art with scholarly examinations of Jewish dance conducted in Europe, Israel, other Middle East areas, Africa, and the Americas. In seven parts, Seeing Israeli and Jewish Dance considers Jewish dance artists of the twentieth and twenty-first centuries; the dance of different Jewish communities, including Hasidic, Yemenite, Kurdish, Ethiopian, and European Jews in many epochs; historical and current Israeli folk dance; and the contrast between Israeli and American modern and post-modern theater dance. Along the way, contributors see dance in ancient texts like the Song of Songs, the Talmud, and Renaissance-era illuminated manuscripts, and plumb oral histories, Holocaust sources, and their own unique views of the subject. A selection of 182 illustrations, including photos, paintings, and film stills, round out this lively volume. Many of the illustrations come from private collections and have never before been published, and they represent such varied sources as a program booklet from the 1893 Chicago World's Fair and archival photos from the Israel Government Press Office. Seeing Israeli and Jewish Dance threads together unique source material and scholarly examinations by authors from Europe, Israel, and America trained in sociology, anthropology, history, cultural studies, Jewish studies, dance studies, as well as art, theater, and dance criticism. Enthusiasts of dance and performance art and a wide range of university students will enjoy this significant volume.

Ethiopia


Ethiopia

Author: Michael B. Lentakis

language: en

Publisher: Janus Publishing Company Lim

Release Date: 2005


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Providing a definitive explanation of modern history in Ethiopia, this book covers the last century up until 1994. It attempts to explain for the hundreds of thousands Ethiopians who emigrated to the United States, the United Kingdom, and Europe what happened in Ethiopia after the deposition of Emperor Haile Selassi. The changes that have taken place in Ethiopia over the past century are described, and a range of issues of historical importance as well as issues still important in Ethiopia today--the flora and fauna, the wildlife, and customs of Ethiopia now and in the past--are examined in great detail.