Ether And Modernity


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Ether and Modernity


Ether and Modernity

Author: Jaume Navarro

language: en

Publisher: Oxford University Press

Release Date: 2018-08-30


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Ether and Modernity offers a snapshot of the status of an epistemic object, the "ether" (or "aether"), in the early twentieth century. The contributed papers show that the ether was often regarded as one of the objects of modernity, hand in hand with the electron, radioactivity or X-rays, and not simply as the stubborn residue of an old-fashioned, long-discarded science. The prestige and authority of scientists and popularisers like Oliver Lodge and Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C. Miller in the USA was instrumental in the preservation, defence or even re-emergence of the ether in the 1920s. Moreover, the consolidation of wireless communications and radio broadcasting, indeed a very modern technology, brought the ether into audiences that would otherwise never have heard about such an esoteric entity. The ether also played a pivotal role among some artists in the early twentieth century: the values of modernism found in the complexities and contradictions of modern physics, such as wireless action or wave-particle puzzles, a fertile ground for the development of new artistic languages; in literature as much as in the pictorial and performing arts. Essays on the intellectual foundations of Umberto Boccioni's art, the linguistic techniques of Lodge, and Ernst Mach's considerations on aesthetics and physics witness to the imbricate relationship between the ether and modernism. Last but not least, the ether played a fundamental part in the resurgence of modern spiritualism in the aftermath of the Great War. This book examines the complex array of meanings, strategies and milieus that enabled the ether to remain an active part in scientific and cultural debates well into the 1930s, but not beyond. This portrait may be easily regarded as the swan song of an epistemic object that was soon to fade away as shown by Paul Dirac's unsuccessful attempt to resuscitate some kind of aether in 1951, with which this book finishes.

Ether and Modernity


Ether and Modernity

Author: Jaume Navarro

language: en

Publisher: Oxford University Press

Release Date: 2018-09-05


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Ether and Modernity offers a snapshot of the status of an epistemic object, the "ether" (or "aether"), in the early twentieth century. The contributed papers show that the ether was often regarded as one of the objects of modernity, hand in hand with the electron, radioactivity or X-rays, and not simply as the stubborn residue of an old-fashioned, long-discarded science. The prestige and authority of scientists and popularisers like Oliver Lodge and Arthur Eddington in Britain, Phillip Lenard in Germany or Dayton C. Miller in the USA was instrumental in the preservation, defence or even re-emergence of the ether in the 1920s. Moreover, the consolidation of wireless communications and radio broadcasting, indeed a very modern technology, brought the ether into audiences that would otherwise never have heard about such an esoteric entity. The ether also played a pivotal role among some artists in the early twentieth century: the values of modernism found in the complexities and contradictions of modern physics, such as wireless action or wave-particle puzzles, a fertile ground for the development of new artistic languages; in literature as much as in the pictorial and performing arts. Essays on the intellectual foundations of Umberto Boccioni's art, the linguistic techniques of Lodge, and Ernst Mach's considerations on aesthetics and physics witness to the imbricate relationship between the ether and modernism. Last but not least, the ether played a fundamental part in the resurgence of modern spiritualism in the aftermath of the Great War. This book examines the complex array of meanings, strategies and milieus that enabled the ether to remain an active part in scientific and cultural debates well into the 1930s, but not beyond. This portrait may be easily regarded as the swan song of an epistemic object that was soon to fade away as shown by Paul Dirac's unsuccessful attempt to resuscitate some kind of aether in 1951, with which this book finishes.

The Theory of Compressibility Ether: Interpretation and Development of Modern Physics


The Theory of Compressibility Ether: Interpretation and Development of Modern Physics

Author: Hu Chang-Wei

language: en

Publisher: Scientific Research Publishing, Inc. USA

Release Date: 2024-12-31


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Modern physics has laid a solid foundation for human beings to enter the electronic and information age, but it has also brought some confusion. Before the birth of modern physics, people knew the physical world clearly, intuitively and here cause and effect are clear, while modern physics showed the variability of spacetime, the particle nature of energy, the uncertainty of microscopic motion and other strange phenomena. Modern cosmology, based on modern physics, has seen the emergence of magical concepts such as the Big Bang, inflation, dark matter, dark energy and so on. In this regard, most scientists consider that nature is inherently complex and changeable, and with the development of science, it is natural that the world is becoming more and more complex. However, many people hold the opposite opinion, such as the EPR paradox put forward by Einstein, Bohm's hidden variables model and so on. They believe that the theory of quantum mechanics is incomplete.