Eterna Vigilia

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1920-2000 ¡el Pastel! Parte Dos

Pedro Avilés Pérez, Jaime Herrera Nevarez, Juan N. Guerra, Miguel Ángel Félix Gallardo, Rafael Caro Quintero, Ernesto Fonseca Carrillo, Manuel Salcido Uzeta, Pablo Acosta Villarreal, Juan José Esparragoza Moreno, Gilberto Ontiveros Lucero, Amado Carrillo Fuentes, Joaquín Loera Guzmán, los hermanos Arellano Félix, los hermanos Quintero Payán, Alberto Sicilia Falcón, Héctor Luis Palma Salazar, Rafael Muñoz Talavera, Juan García Ábrego, Casimiro Campos Espinosa, Luis Medrano García, José Alonso Pérez de la Rosa, Óscar Malherbe, Oliverio Chávez Araujo, Osiel Cárdenas Guillén, Baldomero Medina Garza, Juan Ramón Matta Ballesteros, Pablo Escobar Gaviria, Carlos Enrique Lehder, Gonzalo Rodríguez Gacha, Jorge Luis Ochoa Vázquez, Roberto Suárez Gómez, Luis Malpartida, Carlos Langbert, Reynaldo Rodríguez López, los hermanos Rodríguez Orejuela, entre muchos otros, son los principales protagonistas de esta novela político-policiaca. Aunque durante sus respectivos juicios se evitó hablar de sus poderosos e influyentes cómplices, al final salieron a relucir los nombres de los políticos, militares y policías como: Miguel Alemán Valdés, Luis Echeverría Álvarez, Mario Moya Palencia, Manuel Bartlett Díaz, Miguel Nazar Haro, José Antonio Zorilla Pérez, Rafael Chao López, Rafael Aguilar Guajardo, Florentino Ventura Gutiérrez, Miguel Aldana Ibarra, Manuel Ibarra Herrera, Carlos Aguilar Garza, Guillermo González Calderoni, Emilio Martínez Manautou, Tomás Yarrington Ruvalcaba, Leopoldo Sánchez Celis, Antonio Toledo Corro, Enrique Álvarez del Castillo, óscar Flores Sánchez, Javier Coello Trejo, Rodolfo León Aragón, Raúl Salinas de Gortari, Jorge Carpizo, Juan Arévalo Gardoqui, Jesús Gutiérrez Rebollo, Arturo Durazo Moreno, Francisco Sahagún Baca, y de muchísimos personajes más. De los expedientes de estas historias, el periodista y escritor José Luis García Cabrera formó la trama de esta su quinta novela: 1920-2000 ¡El Pastel!, un documento apegado a la dura y terrible realidad del tráfico de drogas en México.
The Museum of Eterna's Novel

An anti-novel.' It opens with more than fifty prologues-including ones addressed 'To My Authorial Persona,' 'To the Critics,' and 'To Readers Who Will Perish If They Don't Know What the Novel Is About'-that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart 'skip-around readers' (by writing a book that's defies linearity!). The novel itself, is about a group of characters (some borrowed from other texts) who live on an estancia called 'la novella''
Macedonio Fernández: Between Literature, Philosophy, and the Avant-Garde

Author: Federico Fridman
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2022-01-13
At Macedonio Fernández's funeral in 1952, Jorge Luis Borges delivered the following elegy: “In those years I imitated him to the point of transcription, to the point of devout and passionate plagiarism. I felt: Macedonio is metaphysics, Macedonio is literature.” This is the first book available in English that collects essays by the world's leading scholars on Macedonio Fernández, one of Borges's most important mentors and a still enigmatic thinker of the early 20th century. Macedonio's philosophy, metaphysics, ethics, and experimental writing laid the foundations for Borges's own theoretical and literary matrix. Nonetheless, Borges helped shape a myth of Macedonio as a thinker who could not translate his oratorial geniality into written intelligibility. So, despite the centrality of Macedonio to Borges's thought, his work has remained almost unknown to English-speaking readers. Contributors to this volume demonstrate, however, that this myth reduces the complexities of Macedonio's life and creative process, as each chapter shines new light on his texts. Conceived as both a companion for new readers of Macedonio's writings and an invitation for specialists to revisit his work through new perspectives, essays in this volume provide extensive background and bibliographical references, as well as English translations of Macedonio's original texts. This collection seeks to serve as a catalyst for the continued discovery and rediscovery of Macedonio Fernández's texts and the ways they might help us to rediscover the singularities of our own present moment.