Errand Into The Maze
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Errand into the Maze
Author: Deborah Jowitt
language: en
Publisher: Farrar, Straus and Giroux
Release Date: 2024-01-30
A New Yorker Best Book of the Year A New York Times Book Review Editors’ Choice A Kirkus Reviews Best Book of the Month “Deborah Jowitt chronicles a life passionately, artfully lived. An essential read about a true legend.” —Mikhail Baryshnikov “A study in balance and grace.” —The New York Times Book Review From the legendary dance critic Deborah Jowitt, Errand into the Maze is the definitive biography of the visionary dancer and choreographer Martha Graham. In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique—primal, dynamic, and rooted in the emotional life of the body—that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces. And along the way, she engaged with the major debates, events, and ideas of the twentieth century, creating works that cut to the core of the human experience. Time magazine’s “Dancer of the Century,” and the first dancer and choreographer to be awarded the Presidential Medal of Freedom, Graham was a visionary artistic force and an international cultural figure: hers was the iconic face of what came to be known as modern dance. From the renowned dance writer and former longtime critic for The Village Voice Deborah Jowitt, Errand into the Maze draws on more than a decade of firsthand research to deliver the definitive portrait of this titan. Beginning with Graham’s childhood in Allegheny, Pennsylvania, and her early studies at the Denishawn School; weaving in her offstage adventures, including her relationship with her dancer and muse Erick Hawkins; and chronicling her retirement from dancing at age seventy-five and her remarkably productive final years, this elegant, empathetic biography portrays the artist in all her passionate complexity. Most important, Jowitt places Graham’s creations at the heart of her story. Her works, brimming with raw intensity, are intimately linked with their creator, who played the heroine in almost all that she choreographed: Joan of Arc, Jocasta, Clytemnestra, and Judith, among others. In this volume, Graham is center stage once more, and Jowitt casts a brilliant spotlight on her life and work.
The Shapes of Change
Author: Marcia B. Siegel
language: en
Publisher: Univ of California Press
Release Date: 1985-05-17
"What is strikingly new about Miss Siegel's achievement is that she goes beyond the usual kind of historical reassessment. . . . She performs on behalf of this most evanescent of the arts an act of significant recovery. By tracking down--often in rare stage revivals, on film or on videotape--as many of the works by major creators of the last half century as survive, and by describing them . . . in a manner that combines accuracy and imagination, she has enriched our knowledge of the past and added immeasurably, to our resent stock of critical resources."--Dale Harris, New York Times Book Review "Siegel has a gut feeling for dance and a razor-sharp intelligence about it. It's an irresistible combination."--Margaret Pierpont, Dance Magazine "After you've seen and felt dance this deeply--even vicariously--your way of looking at dance will never be the same."--William Albright, Houston Post She sees, acutely, with her muscles as well as her eyes. She thinks about dance as much as she experiences it. . . . This is dance choreography reconstituted. Dances leap off the page. . . . The ability to do that is extraordinary."--Jean Bunke, Des Moines Sunday Register "The sections in which she describes the dances themselves make up the bulk of the book and they are profoundly illuminating. . . . These descriptions represent an amazing literary, as well as critical, accomplishment, for they are both accurate and resonant, both objective and enlightening, both formal and personal."--Laura Shapiro, The Real Paper "Siegel draws on her years of experience as a working dance critic, a profession she has helped to shape, and brings to a range of American dance a sense of honesty and a mind that wants to understand the antecedents of what is currently in vogue as the dance explosion."--Iris M. Fanger, The Christian Science Monitor
Minor Histories
The second volume of writings by Los Angeles artist Mike Kelley, focusing on his own work. What John C. Welchman calls the "blazing network of focused conflations" from which Mike Kelley's styles are generated is on display in all its diversity in this second volume of the artist's writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in "voices" that grew out of scripts for performance pieces to expository critical and autobiographical writings.Minor Histories organizes Kelley's writings into five sections. "Statements" consists of twenty pieces produced between 1984 and 2002 (most of which were written to accompany exhibitions), including "Ajax," which draws on Homer, Colgate- Palmolive, and Longinus to present its eponymous hero; "Some Aesthetic High Points," an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of "creative writings" that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visual styles that characterize Kelley's artwork. "Video Statements and Proposals" are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. "Image-Texts" offers writings that accompany or are part of artworks and installations. This section includes "A Stopgap Measure," Kelley's zestful millennial essay in social satire, and "Meet John Doe," a collage of appropriated texts. "Architecture" features an discussion of Kelley's Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work. Finally, "Ufology" considers the aesthetics and sexuality of space as manifested by UFO sightings and abduction scenarios.