Erewhon Or Over The Range

FOREIGN VOICES

"Today's fiction is increasingly populated by multilingual urban societies in all their rich cultural variety," contends Bernard Botes Krüger, making a persuasive case that "readers need to 'hear' authentic sounding dialogue from the mouths of foreign-language characters-something which mere translations into standard English can never adequately accomplish." The concept of foreign-language dialogue in fiction is not new; many accomplished authors of the past have used a variety of subtle techniques to help their readers understand instances of 'foreign' dialogue. However, those techinues have never been thoroughly isolated and examined-until now. Using Britain's 'Colonial Era' literature as a starting point in this work, the author discusses and systematically catagorizes every type of 'device' used in the past, assembling in the process a veritible toolbox of techniques which aspiring writers can implement to enrich their multilingual dialogue.

An Historical and Critical Review of Samuel Butler's Literary Works

Victorian Literature and the Physics of the Imponderable

The Victorians are known for their commitment to materialism, evidenced by the dominance of empiricism in the sciences and realism in fiction. Yet there were other strains of thinking during the period in the physical sciences, social sciences, and literature that privileged the spacesbetweenthe material and immaterial. This book examines how the emerging language of the "imponderable" helped Victorian writers and physicists make sense of new experiences of modernity. As Sarah Alexander argues, while Victorian physicists were theorizing ether, energy and entropy, and non-Euclidean space and atom theories, writers such as Charles Dickens, William Morris, and Joseph Conrad used concepts of the imponderable to explore key issues of capitalism, imperialism, and social unrest.