Empty Spaces Pink Floyd

Atheists and Empty Spaces

The poems in Atheists and Empty Spaces explore the quintessential aspect of humanity – the need of having something in which to believe. Modern humanity attempts to fill the empty spaces in the psyche with emotional and psychological sustenance that was once provided by communal connections, religion, and the worship of deities or even nature. These poems explore how, in many ways, people have all become atheists because they no longer know how to connect to natural and supernatural forces, and they simply no longer believe in them. Humanity is now lacking a connection to the impulses that once nurtured human desires. However, the poems also suggest that art can provide a path back to those vital connections. Some poems are simple explorations of personal pain that cannot be soothed. Others are thorough considerations of how warped or misguided humanity’s attempts really are at solving an elusive and unidentified misery. Most of these poems take traditional forms of verse and song, but some find their unique rhythms in contemporary free verse. Others use examples from ancient cultures to comment on contemporary culture while some ideas spring from news headlines of today. Each poem in this collection reflects on the ways that modern humans seek to fill their empty spaces, whether atheist or not.

Small Forgotten Places in the Hearth of Cities

This book is the result of a research project designed and carried out at the Department of Architecture, University of Florence. This book discusses urban public spaces and, more specifically, run-down, inactive micro-spaces that are barely used due to their location, dimensions, morphology or semantic characteristics. In literature, these spaces are often defined as “residual urban spaces.” A large abandoned industrial area on the outskirts of a town or a small interstitial space in a historical centre can be residual. With respect to such a broad subject matter, the book seeks to radically limit the field, concentrating on public residual spaces found in the oldest parts of cities. The book reflects on this theme and introduces a method for reading and assessment of the residuality of public spaces in historical contexts (Residuality Assessment Process) which was tested in the historical centre of Florence. It is the authors’ view that residual spaces, above all if designed according to a system logic, can go from being problems to potential activators of urban and social regeneration processes, offering a useful contribution to improve city life.

Pink Floyd- Uncensored on the Record