Emporte Moi
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An Anthology of Modern French Poetry (1850-1950)
Author: Peter Broome
language: en
Publisher: Cambridge University Press
Release Date: 1976-07-15
This anthology is the companion volume to The Appreciation of Modern French Poetry, the aim of which was to give detailed preliminary help with the problems of poetic appreciation. The fourteen poets represented here provide a varied and exciting introduction to what is probably the richest century of French poetry, from 1850 to 1950. Hugo, the colossus of the nineteenth century, whose work gives new resonance and vitality to imaginative vision, opens the anthology, and Michaux, the most individual and 'modern' of twentieth-century poets in that he bridges the gap between poetry and contemporary science, closes it. Almost all the major poets of the period are included: Nerval, Baudelaire, Mallarmé, Verlaine, Rimbaud and Laforgue from the second half of the nineteenth century; Valéry, Apollinaire, Supervielle and Eluard in the twentieth. The lesser known Cros and Desnos, fresh and spontaneous poets with an immediate appeal, invite a new look at the lyric traditions of french verse and offer an attractive new avenue for study. The choice of poems, dictated above all by their individual poetic value, reflects also the trends of recent criticism and the tastes of present-day readers. The texts are all accompanied by full notes, which not only explain local difficulties of vocabulary, syntax and expression, but lead the reader directly into the heart of the richness of theme, style and interpretation. These will prove of value not only to the student who is grappling with the basics of french verse, or is anxious to give depth to his familiarity, but to the general reader seeking to rekindle his enjoyment of French poetry. In addition, there are introductions to each poet summarizing the essence of his art, useful suggestions for further reading, and groups of dicussion topics to stimulate comparative insights and a wider responsiveness.
Kongo
L'ouvrage que voici marque assurément un tournant décisif dans l'effort entrepris par les Africains de bonne foi de réhabiliter l'Histoire du Continent noir. Nous y découvrons que la notion de Dieu est une notion traditionnelle et intellectuelle africaine, les origines africaines des dieux de l'Olympe, les noms africains des dieux d'Égypte, les origines africaines du Judaïsme, du Christianisme et de l'Islam, les sources africaines de la démocratie parlementaire et du Droit, les sources vivifiantes de cette extraordinaire épopée qui conduira à l'émergence de la civilisation appelée égyptienne, le sens de l'iconographie des principales divinités de la vallée du Nil, les sources africaines de la franc-maçonnerie, les sources de la légende du Saint-Graal, l'objet de la circoncision, l'origine et la fonction des cathédrales, la fonction du sarcophage, les origines de la chimie et de la biologie, et les fondations africaines de Rome sont autant de sujets spécifiquement abordés.
Horrible Mothers
For too long the main narratives of motherhood have been oppressive and exclusionary, frequently ignoring issues of female identity—especially regarding those not conforming to traditional female stereotypes. Horrible Mothers offers a variety of perspectives for analyzing representations of the mother in francophone literature and film at the turn of the twenty-first century in North America, including Québec, Ontario, New England, and California. Contributors reexamine the “horrible mother” paradigm within a broad range of sociocultural contexts from different locations to broaden the understanding of mothering beyond traditional ideology. The selections draw from long-established scholarship in women’s studies as well as from new developments in queer studies to make sense of and articulate strategies of representation; to show how contemporary family models are constantly evolving, reshaping, and moving away from heteronormative expectations; and to reposition mothers as subjects occupying the center of their own narrative, rather than as objects. The contributors engage narratives of mothering from myriad perspectives, referencing the works of writers or filmmakers such as Marguerite Andersen, Nelly Arcan, Grégoire Chabot, Xavier Dolan, Nancy Huston, and Lucie Joubert.