Emotion Modeling
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Emotion Modeling
Emotion modeling has been an active area of research for almost two decades now. In spite of the growing and diverse body of work in emotion modeling, designing and developing emotion models remains an art, with few standards and systematic guidelines available to guide the design process, and to validate the resulting models. This state-of-the-art volume includes extended versions of eight papers presented at two workshops: Standards in Emotion Modeling, SEM 2011, held in Leiden, The Netherlands, in August 2011, which focused on the challenges, progress and open questions regarding emotion modeling standards, and Emotional and Empathic Agents, EEA 2012, held in conjunction with AAMAS 2012, in Valencia, Spain, in June 2012, which focused on strategies for reducing the complexity of affective models and model re-use. The papers have been organized into two sections: generic models and frameworks, and evaluations of specific models. They represent a sampling of the current efforts toward the development of more systematic methods for emotion modeling, toward the development of standards in emotion model design and validation, and toward more pragmatic approaches to model development, including model component sharing and re-use. The topics range from efforts to define minimum functionalities for agent emotion models and provide tools for systematic comparisons of alternative approaches through approaches to integrating multiple processing levels within an agent architecture to papers exploring the best means of generating empathy and supportive behavior in virtual agents and attempts to address the requirements for realistic modeling of affective expressions across multiple types of social interaction (individual, group and cultural).
Modeling Visual Aesthetics, Emotion, and Artistic Style
Modeling Visual Aesthetics, Emotion, and Artistic Style offers a comprehensive exploration of the increasingly significant topic of the complex interplay between human perception and digital technology. It embodies the cumulative knowledge and efforts of a wide array of active researchers and practitioners from diverse fields including computer vision, affective computing, robotics, psychology, data mining, machine learning, art history, and movement analysis. This volume seeks to address the profound and challenging research questions related to the computational modeling and analysis of visual aesthetics, emotions, and artistic style, vital components of the human experience that are increasingly relevant in our digitally connected world. The book's vast scope encompasses a broad range of topics. The initial chapters lay a strong foundation with background knowledge on emotion models and machine learning, which then transitions into exploring social visual perception in humans and its technological applications. Readers will uncover the psychological and neurological foundations of social and emotional perception from faces and bodies. Subsequent sections broaden this understanding to include technology's role in detecting discrete and subtle emotional expressions, examining facial neutrality, and including research contexts that involve children as well as adults. Furthermore, the book illuminates the dynamic intersection of art and technology, the language of photography, the relationship between breath-driven robotic performances and human dance, and the application of machine learning in analyzing artistic styles. This book sets itself apart with its unique multidisciplinary approach, encouraging collaboration across related domains. Packed with comprehensive tutorials, theoretical reviews, novel methodologies, empirical investigations, and comparative analyses, the book offers a rich combination of knowledge and methodologies. The book's focus on cutting-edge research not only presents the latest developments in the field but also illuminates potential paths that can lead to significant advancements in computer and robotic applications.
The Cambridge Handbook of Human Affective Neuroscience
Author: Jorge Armony
language: en
Publisher: Cambridge University Press
Release Date: 2013-01-21
Neuroscientific research on emotion has developed dramatically over the past decade. The cognitive neuroscience of human emotion, which has emerged as the new and thriving area of 'affective neuroscience', is rapidly rendering existing overviews of the field obsolete. This handbook provides a comprehensive, up-to-date and authoritative survey of knowledge and topics investigated in this cutting-edge field. It covers a range of topics, from face and voice perception to pain and music, as well as social behaviors and decision making. The book considers and interrogates multiple research methods, among them brain imaging and physiology measurements, as well as methods used to evaluate behavior and genetics. Editors Jorge Armony and Patrik Vuilleumier have enlisted well-known and active researchers from more than twenty institutions across three continents, bringing geographic as well as methodological breadth to the collection. This timely volume will become a key reference work for researchers and students in the growing field of neuroscience.