Embodiment Of Divine Knowledge In Early Judaism
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Embodiment of Divine Knowledge in Early Judaism
This book explores the early Jewish understanding of divine knowledge as divine presence, which is embodied in major biblical exemplars, such as Adam, Enoch, Jacob, and Moses. The study treats the concept of divine knowledge as the embodied divine presence in its full historical and interpretive complexity by tracing the theme through a broad variety of ancient Near Eastern and Jewish sources, including Mesopotamian traditions of cultic statues, creational narratives of the Hebrew Bible, and later Jewish mystical testimonies. Orlov demonstrates that some biblical and pseudepigraphical accounts postulate that the theophany expresses the unique, corporeal nature of the deity that cannot be fully grasped or conveyed in some other non-corporeal symbolism, medium, or language. The divine presence requires another presence in order to be transmitted. To be communicated properly and in its full measure, the divine iconic knowledge must be "written" on a new living "body" which can hold the ineffable presence of God through a newly acquired ontology. Embodiment of Divine Knowledge in Early Judaism will provide an invaluable research to students and scholars in a wide range of areas within Jewish, Near Eastern, and Biblical Studies, as well as those studying religious elements of anthropology, philosophy, sociology, psychology, and gender studies. Through the study of Jewish mediatorial figures, this book also elucidates the roots of early Christological developments, making it attractive to Christian audiences.
Men, Masculinities and Intermarriage in Ezra 9-10
Author: Elisabeth M. Cook
language: en
Publisher: Taylor & Francis
Release Date: 2023-10-09
Offering a reading of the intermarriage debate and expulsion of the foreign women in Ezra 9-10, this book engages with the production and performance of masculinities in this biblical text, shifting the focus away from the 'foreign women' to the men who are the primary actors in this work. This approach addresses the diversity of masculinities and the ways in which they are implicated in the production of power relations in the text. It explores the ‘feminized’ masculinity of the peoples-of-the-lands, the unstable masculinity of the golah, Ezra’s performance of penitential masculinity, and the rehabilitation of divine masculinity. The rejection of the marriages and the call for the expulsion of the women and children are addressed as sites on which masculinities and power relations are configured. In doing so, this book sheds light on how women and the traits and performances culturally ascribed to women, femininity and inferior masculinities, are appropriated to produce masculinities and negotiate power relations between men. It posits that the debate in Ezra 9-10 is not, ultimately, about the women themselves, but about bringing the masculinities, bodies and practices of dissenting men under the ‘management’ of those who wield the Torah in the narrative world of the text. Men, Masculinities and Intermarriage in Ezra-9-10 is of interest for scholars and students working on the Book of Ezra specifically, as well as the Hebrew Bible and its world more broadly. It is also a valuable study for those working on masculinities and gender in the biblical world and ancient Near East.
Abraham Among Golems
In this insightful book, Andrei A. Orlov examines the symbolism of the "image of God" found in early Jewish pseudepigraphical accounts, paying special attention to the cultic traditions in the Apocalypse of Abraham . The study demonstrates that the Jewish pseudepigrapha transform various biblical characters - including Enoch, Abraham, Jacob, Moses, and Aseneth - into eschatological embodiments of the imago Dei . The book argues that these cultic metamorphoses preserve memories of ancient Near Eastern and Egyptian rituals involving the vivification of cultic statues. The Apocalypse of Abraham and other early Jewish pseudepigraphical accounts attempt to polemically refashion the concept of cultic statues by envisioning their protagonists as divine representations in the form of the eschatological image of God.