Elvis Is Dead And I Don T Feel So Good Myself
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Elvis Is Dead and I Don't Feel So Good Myself
The 1950s were simple times to grow up. For Lewis Grizzard and his buddies, gallivanting meant hanging out at the local store, eating Zagnut candy bars and drinking "Big Orange bellywashers." About the worst thing a kid ever did was smoke rabbit tobacco rolled in paper torn from a brown grocery sack, or maybe slick back his hair into a ducktail and try gyrating his hips like Elvis. But then assassinations, war, civil rights, free love, and drugs rocked the old order. And as they did, Grizzard frequently felt lost and confused. In place of Elvis, the Pied Piper of his generation, Grizzard now found wormy-looking, long-haired English kids who performed either half-naked or dressed like Zasu Pitts. Elvis Is Dead and I Don't Feel So Good Myself is the witty, satiric, nostalgic account of Grizzard's efforts to survive in a changing world. Sex, music, clothes, entertainment, and life itself receive the Grizzard treatment. In this, his sixth book, Grizzard was never funnier or more in tune with his readers. He might not have felt so good himself, but his social commentary and humor can still make the rest of us feel just fine.
"God Is Dead" and I Don't Feel So Good Myself
Author: Andrew Shutes-David
language: en
Publisher: Wipf and Stock Publishers
Release Date: 2010-01-01
In this pertinent and engaging volume leading Christian philosophers, theologians, and writers from all over the denominational map explode the black-and-white binaries that characterize both sides of the New Atheism debate. They transcend the self-assured shouting matches of this latest expression of the culture wars by engaging in rigorous, polychromatic Christian reflection that considers the extent to which the atheistic critique-both new and old-might help the church move toward a more mature faith, authentic spirituality, charitable witness, and peaceable practice. With generous openness and ferocious wit, this collection of essays, interviews, memoir, poetry, and visual art-including contributions from leading intellectuals, activists, and artists such as Stanley Hauerwas, Charles Taylor, John Milbank, Stanley Fish, Luci Shaw, Paul Roorda, Merold Westphal, and D. Stephen Long-provides substantive analysis, incisive critique, and a hopeful way forward for Christian dialog with atheist voices. Contributors: Andy Barnes, Peter M. Candler Jr., Becky Crook, Brad Davis, Courtney Druz, Stanley Fish, Brandi Gentry's, Larry Gilman, Stanley Hauerwas, Robert Inchausti, Ronald A. Kuipers, D. Stephen Long, Charles T. Mathewes, John Milbank, Randal Rauser, Dan Rhodes, Paul Roorda, Christine Sine, Luci Shaw, Jon Stanley, Ben Suriano, Charles Taylor, and Merold Westphal
If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground
Lewis Grizzard got his first newspaper job when he was ten years old. Thirty-odd years later (thirty-very-odd years) he's still in the newspaper business--and he's still infuriated by it, still tickled by it, and still very much in love with it. If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground is all about that anger, that great humor and that even greater passion for something that affects every single one of us: the daily newspaper. Grizzard begins with his first writing job (covering a Boy's Church League team in Newman, Georgia), and continues through his college years in Athens, Georgia, where he learned how to do such things as prepare a front-page headline and layout in case Jesus Christ ever returned to earth. (Headline: HE'S BACK!) He examines the great Atlanta years and the cold Chicago winters--as sports editor of the Sun-Times, during which Grizzard lost his second wife, his cool, and very nearly his sanity, but also learned an awful lot about life, liberty, and the pursuit of happiness. This is Grizzard's funniest--and his best--book yet.