Election Daze
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Undercurrent
New Orleans after Hurricane Katrina in 2005 was a devastated city: neglected by the authorities, deprived of basic services, deserted by thousands of its inhabitants, haunted by loss and tragedy. Jim Gabour, film producer, writer and director, decided to stay. In the months after Katrina, he sent www.openDemocracy.net a series of reports and reflections on how he, his family, his neighbours, friends and fellow-citizens were coping with the aftermath and reconstructing their homes and lives. These witty, understated, observant, characterful tales of the city are now collected in the fourth edition of the openDemocracy Quarterly. In Jim Gabour's everyday epics of survival and discovery, the heart and soul of wounded but life-affirming New Orleans quietly unfolds.
Ritual and Rhythm in Electoral Systems
’Why do we vote in schools?’ ’What is the social meaning of secret balloting?’ ’What is lost if we vote by mail or computers rather than on election day?’ ’What is the history and role of drinking and wagering in elections?’ ’How does the electoral cycle generate the theatre of election night and inaugurations?’ Elections are key public events - in a secular society the only real coming together of the social whole. Their rituals and rhythms run deep. Yet their conduct is invariably examined in instrumental ways, as if they were merely competitive games or liberal apparatus. Focusing on the political cultures and laws of the UK, the US and Australia, this book offers an historicised and generalised account of the intersection of electoral systems and the concepts of ritual, rhythm and the everyday, which form the basis of how we experience elections. As a novel contribution to the theory of the law of elections, this book will be of interest to researchers, students, administrators and policy makers in both politics and law.
Deal
Political and sequined, Deal: New and Selected Poems contains the most memorable of Mann’s previous five collections and presents new poems of disco, lament, and formal invention. One of our leading American practitioners of poetic form and liberating constraint, Randall Mann has for the past thirty years confronted what it means to identify as multiracial and queer in urban America. Deal: New and Selected Poems harnesses five previous volumes and includes economical yet expansive new works rooted in an age of Wi-Fi, apps, and chat notifications. His newest poems, written in concise, contemporary lines, move us word by word, until we arrive at a stark reality. Unafraid of the nexus between politics, syntax, and the contradictions of the colloquial, Mann’s poetry refuses “token liberation” and reminds us that “life’s a cold exercise in looking back”—back to disco and fetish, to a shared gay history, to his childhood Florida or his beloved San Francisco. Whether writing a sestina in the voice of the mortician of Harvey Milk’s murderer, or a deeply moving pantoum elegizing bullied gay adolescents who committed suicide, formal invention for Mann remains intensely personal. This collection—erotic, mournful, and often satirical—characteristically subverts, even as it enlarges, a language that continues to fail us. Timestamped by surprise and exhaustion, and filled with the everyday indignities of being alive, Deal: New and Selected Poems affirms Randall Mann, in the words of Garth Greenwell, as “among our finest, most skillful poets of love and ruin.”