Early Twentieth Century Islamic Architecture In Cairo
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Early Twentieth-century Islamic Architecture in Cairo
The first half of the twentieth century witnessed a reaction in Cairo against the occidentalizing architectural trends which had prevailed in the nineteenth century and interrupted the natural evolution of Islamic architecture. This new study seeks to define the different trends of the Islamic Revival period and discuss their motivation, progress, and achievements. After a survey of the stylistic evolution and foreign influences in Cairene architecture until the end of the eighteenth century and a brief account of the nineteenth-century background to the Islamic Revival period, the author discusses the impact of architectural education, nationalism, and parallel styles on Islamic Revival architecture. Then, through the examples of a number of Cairo facades, he proposes for the first time a definition of five recognizable Islamic Revival styles: Neo-Islamic Revival, Modernized Islamic, Eclectic, Twentieth-Century Islamic, and Baroque Islamic (Heliopolis).
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set
Author: Jonathan Bloom
language: en
Publisher: Oxford University Press
Release Date: 2009-05-14
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Architecture and the Late Ottoman Historical Imaginary
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.