Eanjin Vol 71 No 3
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Meanjin Vol 71, No 3
Author: Meanjin Quarterly
language: en
Publisher: Melbourne Univ. Publishing
Release Date: 2012-12-03
With the September edition of Meanjin we welcome Spring at last, and with a new season we take you to new places, show you new perspectives and consider new solutions to old problems. Under the revived Meanjin Papers masthead we feature Patrick McCaughey who takes a second look at the wildly diverse Australian art of the 1960s, we bring you Rebe Taylor on the vexed and painful question of Truganini's status as the 'last' Indigenous Tasmanian, while Helen Ennis writes on the life and startlingly beautiful work of Australian Photographer Olive Cotton. Paul Daley visits the battlefields of the Somme and wonders how best to deal with the enduring human remains left by war. Back home, Ben Eltham reports on the troubling disconnect between funding the Arts and funding Arts infrastructure, Chris McAuliffe writes on the end of cultural cringe while James Bradley has a ghostly encounter in the night time. We bring you a stunning gallery from photographer Lucy Parakhina and new memoir from Lorna Hendry, Lily Keil and John Kinsella. There is new fiction from David Francis, Mark Welker, Michele Freeman, Lex Hall and Marion Halligan, as well as poetry from Eileen Chong, Craig Billingham, Mark Mordue and much, much more.
Meanjin Vol 71, No 4
Author: Meanjin Quarterly
language: en
Publisher: Melbourne Univ. Publishing
Release Date: 2012-12-03
In December we have writing from Guy Rundle, Lorin Clarke, David Mence, Margo Lanagan, Kevin Brophy and many more.
Salt
A collection of stories and essays by the award-winning author of Dark Emu, showcasing his shimmering genius across a lifetime of work. This volume of Bruce Pascoe’s best and most celebrated stories and essays, collected here for the first time, traverses his long career and explores his enduring fascination with Australia’s landscape, culture and history. Featuring new fiction alongside Pascoe’s most revered and thought-provoking nonfiction – including from his modern classic Dark Emu – Salt distils the intellect, passion and virtuosity of his work. It’s time all Australians know the range and depth of this most marvellous of our writers. ‘Salt demonstrates why Bruce Pascoe’s voice is important to the country.’ —Kim Scott ‘A paradigm shift ... a wonderful expanse of thinking and storytelling ... In prose that is funny in one moment and devastating the next, Pascoe moves us from wry humour [to] the deep sadness that follows the wonder of discovering a history of richness and fullness deliberately obscured.’ —Marie Matteson, Readings