Dylan 80s
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The Eighties
One Day: Saturday 13 July 1985, nearly two billion people woke up with one purpose. Nearly a third of humanity knew where they were going to be that day. Watching, listening to, attending: Live Aid. One Decade: Britain in the Eighties was different. The culture was different, the politics were different, and our engagement with the world was different. And it was just one day in 1985 that showed how different it was. In One Day, One Decade Dylan Jones tells the story of the Eighties through that day at Wembley, sweeping backwards to the end of the Seventies, and forward to the start of the Nineties. It draws on his personal reminiscences and perspective of music, media, fashion, politics and all forms of pop culture to frame the decade. This is a big book but not a exhaustive and dry social history. Live Aid was the decade's pinch point, when a nation's attitudes and expectations were somehow captured and changed forever. The author suggests that before Live Aid, Britain was one place, and after Live Aid it was another. Britain in the Eighties was a juxtaposition of militancy and profligacy, a country where industry was being broken down, societies were being demolished, and unemployment became an inevitable lifestyle choice: yet the Eighties was also the apotheosis of pop culture, a decade where entertainment, opinion and subjectivity were more important than ever before. Dylan Jones was at the heart of the 1980s editing the seminal magazines i-D and The Face. He was one of the Blitz Kids and was both a commentator and one of the style-makers of the time. This is a controversial book, a story told from the inside by one who was at the centre of events.
The Late Voice
Author: Richard Elliott
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2015-10-22
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a 'late voice'. Lateness here refers to five primary issues: chronology (the stage in an artist's career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices 'look back' or anticipate looking back); and the writing of age, experience, lateness and loss into song texts. There has been recent growth in research on ageing and the experience of later stages of life, focusing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.
Lennon, Dylan, Alice, and Jesus
A nationally best-selling author and pastor draws lessons of hope and transformation in the perils of excess, the agonies of repentance, and the wonder of redemption found in the life stories of several icons of pop music and rock and roll. From the author of Johnny Cash: The Redemption of an American Icon and Steve McQueen: The Salvation of an American Icon comes Lennon, Dylan, Alice, and Jesus, which traces the journeys, rise, fall, and sometimes the redemption of famous entertainers who were brought to their knees—a great place to look up and finally meet their Maker. Lennon, Dylan, Alice, and Jesusexamines wretched excess, self-absorption and miraculous redemption; the book is a raw, sensitive, and unforgettable journey of sex, drugs, rock and roll, and sweet salvation. Author Greg Laurie traces the lives of rock stars and entertainment figures and legends who wallowed in the decadence of both the high life and low life, as they alternately experienced Heaven and Hell on Earth. He travels with them into their demonic abysses and joyfully chronicles their ultimate ascension to their prodigal moments. Lennon, Dylan, Alice, and Jesuschronicles the birth of rock and roll in the mid-1950s to today, giving the book an all-encompassing study of pop music history. Through his personal memories, coupled with his carefully crafted observational research, Greg Laurie not only looks deeply into the hearts and souls of these unusual people but bids the reader to join him on a spiritual journey down the secluded halls of the music industry with the individuals who crafted modern-day masterpieces. Readers will enjoy never-before-published accounts of the biggest recording artists of our time and hear testimonies from rockers of the 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, and beyond. More importantly, every reader will find a deeper sense of God’s presence, even in times of loneliness and desolation.