Dramatis Personae Example


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An Index of Characters in Early Modern English Drama


An Index of Characters in Early Modern English Drama

Author: Thomas L. Berger

language: en

Publisher: Cambridge University Press

Release Date: 1998


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A reference book which indexes all the characters who appear in English drama from 1500 to 1660.

Dramatis Personae


Dramatis Personae

Author: Philip Freund

language: en

Publisher: Peter Owen Publishers

Release Date: 2006


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"Dramatis personae: the rise of medieval and renaissance theatre, the third volume in the series, resumes the narrative after the disappearance of Greek and Roman drama. The book traces the return of religious theatre and ritual, with Passion Plays, Mysteries and Moralities taking over classical dramas. Folk farce flourishes throughout the Middle Ages, while the Renaissance in Italy sees the revival of classical works, producing whimsical new dramatic forms, as well as exalted musical innovations culminating in resplendent operas and ballets."--Inside jacket.

Anglo-German Dramatic and Poetic Encounters


Anglo-German Dramatic and Poetic Encounters

Author: Michael Wood

language: en

Publisher: Bloomsbury Publishing PLC

Release Date: 2019-06-27


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Focusing on particular cases of Anglo-German exchange in the period known as the Sattelzeit (1750-1850), this volume of essays explores how drama and poetry played a central role in the development of British and German literary cultures. With increased numbers of people studying foreign languages, engaging in translation work, and traveling between Britain and Germany, the eighteenth and nineteenth centuries gave rise to unprecedented opportunities for intercultural encounters and transnational dialogues. While most research on Anglo-German exchange has focused on the novel, this volume seeks to reposition drama and poetry within discourses of national identity, intercultural transfer, and World Literature. The essays in the collection cohere in affirming the significance of poetry and drama as literary forms that shaped German and British cultures in the period. The essays also consider the nuanced movement of texts and ideas across genres and cultures, the formation and reception of poetic personae, and the place of illustration in cross-cultural, textual exchange.


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