Dohna Dohna Crack
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Sea Killers in Disguise
Disguised as harmless merchant ships, Q-ships could be transformed in moments into powerful warships and the lengths taken to insure their secrecy make an intriguing story.
A Companion to Seals in the Middle Ages
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures. As the chronological, temporal and geographic scope of the essays in the volume suggests, the study of the medieval seal—its manufacture, materiality, usage, iconography, inscription, and preservation—is a rich endeavour that demands collaboration across disciplines as well as between scholars working on material from different regions and periods. It is hoped that this collection will make the study of medieval seals more accessible and will stimulate students and scholars to employ and further develop these material and methodological approaches to seals. Contributors are Adrian Ailes, Elka Cwiertnia, Paul Dryburgh, Emir O. Filipovi, Oliver Harris, Philippa Hoskin, Ashley Jones, Andreas Lehnertz, John McEwan, Elizabeth A. New, Jonathan Shea, Caroline Simonet, Angelina A. Volkoff, and Marek L. Wójcik.
Forgotten Land
East Prussia is no longer on any map, though it was once a thriving land, famously military, deeply forested, artistically fertile, and the birthplace of Immanuel Kant. As the scene of Stalin’s ‘terrible revenge’ it came to embody the turbulence of the twentieth century, was carved up between Poland and the USSR after World War II – and passed abruptly into history. Embarking on a remarkable journey through landscape and memory, Max Egremont has woven the stories of ghosts and survivors into an evocative and deeply moving meditation on identity and the passing of time. ‘East Prussia’s successful evocation demands both the mind of a poet who can delineate the scale of human loss, and the imagination of an historian who knows how to count the cost. Forgotten Land, a work of consummate artistry, blends both capacities to rare effect’ Spectator ‘Changing frontiers, blurred racial identities, shifting allegiances and the mass movement of people – this a story for our time’ New Statesman ‘Illuminating. A literary map to a beguiling hidden enclave of Europe’ Metro ‘Egremont’s compelling tale exploits his boundless intellectual curiosity, mastery of German and eye for whimsy as well as tragedy. The book’s canvas is remarkable. Fascinating reading’ Max Hastings, Sunday Times