Dismembered Policing In Postwar Berlin
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Dismembered Policing in Postwar Berlin
Author: Mark Fenemore
language: en
Publisher: Bloomsbury Publishing
Release Date: 2023-04-06
Assessing the impact of Germany's defeat on the policing of Berlin, this book addresses the reconstruction of the police force as a crucial component of four-power government. As Mark Fenemore shows, getting four nationalities to work together to administer a complex major city was a unique undertaking, never before attempted. The situation was made even more difficult by the conditions of hunger and desperation that caused a spike in crime. The stage was a city in ruins, the capital of a defeated, divided, prostrate, occupied country. The audience the administrations were playing to was a population deeply scarred by Nazism, total war, cold, hunger and mass rape. Dismembered Policing explores postwar Berlin from the perspective of all four occupiers and of ordinary Berliners. Fenemore discusses how each occupation government sought to act as an advertisement for its country's respective cultural values, mores and system of governance. As an international, multi-archival study, the book draws on evidence in French and German as well as in English. Using law enforcement as a lens, it examines issues like mass rape, the black market, interracial sex and political violence. With hunger, sexually motivated assault and dismembered body parts featuring prominently, it is reminiscent of Ian McEwen's novel The Innocent, but based on real police files.
Dismembered Policing in Postwar Berlin
Assessing the impact of Germany's defeat on the policing of Berlin, this book addresses the reconstruction of the police force as a crucial component of four-power government. As Mark Fenemore shows, getting four nationalities to work together to administer a complex major city was a unique undertaking, never before attempted. The situation was made even more difficult by the conditions of hunger and desperation that caused a spike in crime. The stage was a city in ruins, the capital of a defeated, divided, prostrate, occupied country. The audience the administrations were playing to was a population deeply scarred by Nazism, total war, cold, hunger and mass rape. Dismembered Policing explores postwar Berlin from the perspective of all four occupiers and of ordinary Berliners. Fenemore discusses how each occupation government sought to act as an advertisement for its country's respective cultural values, mores and system of governance. As an international, multi-archival study, the book draws on evidence in French and German as well as in English. Using law enforcement as a lens, it examines issues like mass rape, the black market, interracial sex and political violence. With hunger, sexually motivated assault and dismembered body parts featuring prominently, it is reminiscent of Ian McEwen's novel The Innocent, but based on real police files.
Sensory Warfare in the Global Cold War
The longest political conflict of the twentieth century, the Cold War, was carried out on the human senses—and through them. Largely conducted through nonlethal methods, it was a war of competing cultures, politics, and covert operations. While propaganda reached targets through vision and hearing, sensory warfare also exploited taste, touch, smell, and pain. This volume is the first to explore the sensory aspect of the Cold War and how this warfare changed contemporary perception of the war. The authors highlight the global dimension of sensory warfare, examining battlegrounds around the world and across different phases of the conflict, including “cold” and “hot” warfare—both covert and overt. Case studies highlight the role of taste in Western food deliveries to Eastern Europe; olfaction in Poland, at the Iron Curtain, and in the Vietnam War; sonic warfare in Berlin, in Romania, and at the China-Taiwan “aquatic frontier”; vision in the Maoist Cultural Revolution, Spain, and the Soviet-Afghan war; haptics in the German military; and drugs, pain, and sensory deprivation in intelligence operations in both Hungary and the United States. In its wide-ranging treatment, this volume offers an illuminating new perspective on the Cold War and deepens our understanding of the sensory aspects of current and future conflicts. Sensory Warfare in the Global Cold War will be of interest to students and scholars of sensory studies, Cold War studies, twentieth-century history, and military history. In addition to the editor, the contributors to this volume include Cyril Cordoba, Mark Fenemore, Walter E. Grunden, Dayton Lekner, José Manuel López Torán, Markus Mirschel, Victoria Phillips, Carsten Richter, Andreea Deciu Ritivoi, Christy Spackman, and Stephanie Weismann.