Discursive Illusions In Public Discourse

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Discursive Illusions in Public Discourse

This book presents a unique perspective into the investigation and analysis of public discourses, such as those of the environment, politics, and social media, springing from issues of key relevance to contemporary society, including the War on Terror, the ‘Arab Spring’, and the climate-change debate. Employing a qualitative approach, and drawing on data which comprises both written and spoken discourses, including policy documents, political speeches, press conferences, blog entries, informational leaflets, and corporate reports, the book puts forward a unique theoretical framework, that of the Discourse of Illusion. The research draws on discourse analysis, in order to develop and implement a multi-perspective framework that allows a closer look at the intentions of the producer/actor of various discourses, power struggles within social domains, in addition to the socio-political and historical contexts which influence the individual repositories of experience that create multiple, often contesting, arguments on controversial issues, consequently giving rise to discursive illusions. Discursive Illusions in Public Discourse: Theory and practice intensively explores the discourse of illusion within multifarious dimensions of contemporary public discourses, such as: • Political Voices in Terrorism • Activist Voices in New Media • Corporate Voices in Climate Change This book will particularly appeal to researchers working within the field of discourse analysis, and more generally for students of postgraduate research and specialists in the field of language, linguistics, and media. The book can also be used as a guide for non-specialists in better understanding the complexities of public discourses, and how they shape society’s perceptions of some key social and political issues.
Critical Genre Analysis

Genre theory has focused primarily on the analysis of generic constructs, with increasing attention to and emphasis on the contexts in which such genres are produced, interpreted, and used to achieve objectives, often giving the impression as if producing genres is an end in itself, rather than a means to an end. The result of this focus is that there has been very little attention paid to the ultimate outcomes of these genre-based discursive activities, which are more appropriately viewed as academic, institutional, organizational, and professional actions and practices, which are invariably non-discursive, though often achieved through discursive means. It was this objective in mind that the book develops an approach to a more critical and deeper understanding of interdiscursive professional voices and actions. Critical Genre Analysis as a theory of discursive performance is thus an attempt to be as objective as possible, rigorous in analytical endeavour, using a multiperspective and multidimensional methodological framework taking into account interdiscursive aspects of genre construction to make it increasingly explanatory to demystify discursive performance in a range of professional contexts.
Constructing Legal Discourses and Social Practices

Author: Girolamo Tessuto
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2016-05-11
Over recent decades, legal language and its representation of social action, social actors and social practices have provided systematic insights into the meaning and function of text, discourse or talk realised in academic, professional and institutional sites of communication, and generated a variety of data for analysis, method and theory. Constructing Legal Discourses and Social Practices, the first issue of the Legal Discourse and Communication international series, looks descriptively and interpretatively at the realised forms of legal discourse and how these are framed and organised by social practices within distinctive sites of legal communication. The four main parts of the book provide a broad coverage of key issues and perspectives arising from a variety of genres (spoken, as well as written) employed in institutional, professional and organisational communication of the law, and bring into focus recent research where language and law play out in the real world. This invaluable book is multi-dimensional and multi-perspectival in its design and implementation, and will be an essential reference for those researching and working in the areas of applied linguistics and for postgraduate students.