Discourse Of Silence
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Discourse of Silence
This work discusses the discourse of silence and looks at how people relate to silence in specific conte×ts. It e×amines the application of semiotic tools to e×plore several facets of silence in everyday conversation, and reviews various studies of silence that have been published. The book interprets silence in terms of modality in order to distinguish between intentional and unintentional silence. It also presents an analysis of the silence of characters in films, biblical and cinematic te×t in which the terms of reference generally e×pand - from the silent answer, through the silencing of characters by authors, to silence as a feature of the generation gap.
Discourse of Silence
Author: Dennis Kurzon
language: en
Publisher: John Benjamins Publishing
Release Date: 1998-03-15
The book deals initially with the interpretation of the silent answer to a question. From a semiotic approach to the contrast between silence and speech mainly within a Greimasian framework, the discussion turns to the application of pragmatic tools such as conversational analysis and adjacency pairs to the interpretation of silence. A model is presented which attempts to explain the observer’s cognitive competence, and its limits, in being able to interpret the silent answer. A basic distinction is also made between intentional silence (the refusal to answer) and non-intentional silence (the psychological inability to answer). The interpretation of silence is extended from a theoretical viewpoint to an analysis of various discourse types. Firstly, silence in the legal world: the accused’s and the witness’s right of silence, the right of legal authorities to silence the broadcasting of direct speech. The author then analyzes the silencing of characters in a literary text (Jane Austen’s Pride and Prejudice), in a biblical text (Moses and his speech impediment in Exodus), in opera (Moses’ silence in Schoenberg’s opera Moses und Aron) and in the cinema. Here, after the initial discussion of Ingmar Bergman’s The Silence, focus is shifted to the generation gap and the representation of silence by song in Mike Nichols’ The Graduate.
The Power of Silence
This book provides a theoretical account of a variety of different communicative aspects of silence and explores new ways of studying socially-motivated language. A research overview shows the influence of related work in the fields of media studies, politics, gender studies, aesthetics and literature. The author argues that in theoretically pragmatic terms, silence can be accounted for by the same principles as those of speech. A later, more applied section of the book explores the power of silencing in politics. A concluding chapter shows the importance of silence beyond linguistics and politics in terms of artistic expression. The approach is intentionally eclectic in order to explore the concept of silence as a rich and