Did Beethoven Get Struck By Lightning
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Beethoven’s Last Symphony
Zoey’s aunt is terminally ill. Respite and intrigue appear in the form of an incomplete though long-neglected manuscript of a three-part epic. Plunged into an existential odyssey originating from the Neolithic Era, Zoey’s poignant quest for meaning culminates with a soul-stirring epiphany and an astounding discovery about her family’s past.
Notes on Beethoven
Author: Conrad Wilson
language: en
Publisher: Wm. B. Eerdmans Publishing
Release Date: 2005
Wilson explains why the traditional practice of dividing Beethoven's life into three periods can be misleading, why he believes that the tearing of Napoleon's name from the title-page of the Eroica symphony was only a gesture, that Beethoven's real attitude to Napoleon was not as it seemed, and more.
The Critical Reception of Beethoven's Compositions by His German Contemporaries, Volume 2
Author: Wayne M. Senner
language: en
Publisher: U of Nebraska Press
Release Date: 1999-01-01
The volumes in The Critical Reception of Beethoven's Compositions by His German Contemporaries bring to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, have been compiled from German-language periodicals published between 1783 and 1830. They present a wide spectrum of insights into the perceptions that Beethoven's contemporaries had of his monumental music. This is the second in a projected four-volume series. It begins with Opus 55, the Eroica, and ends with Opus 72, Fidelio.