Diagramming Devotion
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Diagramming Devotion
Author: Jeffrey F. Hamburger
language: en
Publisher: University of Chicago Press
Release Date: 2020-09-21
During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.
Lost in a Sea of Letters
In Lost in a Sea of Letters, Cyril Uy explores the life and work of Saʿd al-Dīn Ḥamūya (d. 1252), a Mongol-era Sufi whose arcane treatises inspired generations of mystics and messiahs. Reading Ḥamūya in dialogue with contemporaries across Central Asia, Iran, and the Eastern Mediterranean, Uy excavates a world in which knowledge was an embodied sensibility: a way of being that could improvise across all dimensions of human experience. Ḥamūya’s performative writing reworked the foundations of this knowledge, provoking readers to live reality through the cacophony of his Sufi free jazz. Foregrounding Ḥamūya’s deconstructive ethos and radical openness to interpretation, Uy reveals how embracing plurality could thrive as a mode of social, intellectual, and spiritual competition.
The Poetics of Performance Diagrams
Author: Andrej Mirčev
language: en
Publisher: Cambridge University Press
Release Date: 2024-06-30
This Element considers the concept of performance diagrams and shows their historical, epistemic and aesthetic functions in theatre and dance. In three sections, the author surveys the architectural model of theatre by Vitruvius, the woodcut of Marlow's Doctor Faustus, Aby Warburg's Mnemosyne-Atlas, the spells and drawings of Antonin Artaud, the performance Paradise Now (the Living Theatre) and the choreography I am 1984 (Barbara Matijević). Demonstrating that diagrams can be applied to multiply dramaturgical trajectories, the text reviews their relevance for performance-making, analysis and documentation. The author argues that diagrams provide new tools for theory, practice and archiving, while at the same time enabling reflection on the intersections between poetics and politics. Focusing on the potentiality of diagrams to cut through representation and dichotomies, this Element affirms the visual, corporeal and spatial dimensions of performance-making. In doing so, it elucidates the significance of diagrammatic thinking for performance studies.