Desire 2011
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Psychoanalytic Reflections on Politics
Psychoanalytic Reflections on Politics: Fatherlands in mothers’ hands is a playful exploration of how people’s desires, fantasies, and emotions shape political events and social phenomena. It highlights the mythical sources of today’s political projects, the power of political imagination, and the function of symbolism in political thought. Eszter Salgó argues that the driving force for the formation of political communities is fantasy – ‘illusions’ in a Winnicottian sense, ‘phantasies’ in a Lacanian sense, ‘phantoms’ as described by Nicolas Abraham and Maria Torok, and ‘dreams’ as interpreted by Sándor Ferenczi. She introduces the metaphor of the ‘fantastic family’ as a symbolic representation of political communities, both to reflect on people’s deeply felt desire to find in public life the resolution, love, and wholeness of early childhood, and to unveil the political elite’s readiness to don the mask of the ‘ideal parent’. The book is divided into two parts. The first part of the book explores the theories of Donald Winnicott and Jacques Lacan: the matrimony on the stage of politics between the ‘good-enough mother’ and the Symbolic Father which inaugurates the story of democracy’s ‘fantastic family’. The second part presents the ‘fantastic families’ of selected countries such as Hungary, Italy, and the world community to explain the proliferation of cosmogony projects, and to document the failure of the political elites to offer a satisfactory performance of their maternal and paternal functions. Psychoanalytic Reflections on Politics: Fatherlands in mothers’ hands presents a new way of considering the art of politics, based on the understanding that people perceive reality through imagination and unconscious fantasy. It will be of interest to psychoanalysts, and academics from across the disciplines of politics, psychology, anthropology, sociology, philosophy, literature, and art.
Fashioning Horror
Author: Julia Petrov
language: en
Publisher: Bloomsbury Publishing
Release Date: 2017-12-14
From Jack the Ripper to Frankenstein, Halloween customs to Alexander McQueen collections, Fashioning Horror examines how terror is fashioned visually, symbolically, and materially through fashion and costume, in literature, film, and real life. With a series of case studies that range from sensationalist cinema and Slasher films to true crime and nineteenth-century literature, the volume investigates the central importance of clothing to the horror genre, and broadens our understanding of both material and popular culture. Arguing that dress is fundamental to our understanding of character and setting within horror, the chapters also reveal how the grotesque and horrific is at the center of fashion itself, with its potential for instability, disguise, and carnivalesque subversion. Packed with original research, and bringing together a range of international scholars, the book is the first to thoroughly examine the aesthetics of terror and the role of fashion in the construction of horror.
The Merry Wives of Windsor
The Merry Wives of Windsor has recently experienced a resurgence of critical interest. At times considered one of Shakespeare’s weaker plays, it is often dismissed or marginalized; however, developments in feminist, ecocritical and new historicist criticism have opened up new perspectives and this collection of 18 essays by top Shakespeare scholars sheds fresh light on the play. The detailed introduction by Phyllis Rackin and Evelyn Gajowski provides a historical survey of the play and ties into an evolving critical and cultural context. The book’s sections look in turn at female community/female agency; theatrical alternatives; social and theatrical contexts; desire/sexuality; nature and performance to provide a contemporary critical analysis of the play.