Design For The New World

The New World

Image+ Vol. 2 #11

The latest issue of IMAGE+ overflows with exclusive interviews, art features, and comics, offering a tsunami of sequential art in 80 pages. Discover how ROB GUILLORY illustrates a horrific harvest in FARMHAND, and how MIRKA ANDOLFO brought her provocative, anthropomorphic romance, UNNATURAL, from Italy to the United States. IMAGE+ provides direct access to the most groundbreaking creators and how they're changing the face of comics, from step-by-step illustration breakdowns to in-depth features. This issue also brings SCOTT SNYDER and JOCKÕs WYTCHES: BAD EGG one chapter closer to its gut-wrenching finale, as two adolescent boys fall deeper into a nightmare filled with family secrets, betrayal, and sinister monsters. IMAGE+ is free with any purchase of DiamondÕs Previews.

Reconstructing Modernism

Reconstructing Modernism establishes for the first time the centrality of modernist buildings and architectural periodicals to British mid-century literature. Drawing upon a wealth of previously unexplored architectural criticism by British authors, this book reveals how arguments about architecture led to innovations in literature, as well as to redesigns in the concept of modernism itself. While the city has long been a focus of literary modernist studies, architectural modernism has never had its due. Scholars usually characterize architectural modernism as a parallel modernism or even an incompatible modernism to literature. Giving special attention to dystopian classics Brave New World and Nineteen Eighty-Four, this study argues that sustained attention to modern architecture shaped mid-century authors' political and aesthetic commitments. After many writers deemed modernist architects to be agents for communism and other collectivist movements, they squared themselves--and literary modernist detachment and aesthetic autonomy--against the seemingly tyrannical utopianism of modern architecture; literary aesthetic qualities were reclaimed as political qualities. In this way, Reconstructing Modernism redraws the boundaries of literary modernist studies: rather than simply adding to its canon, it argues that the responsibility for defining literary modernism for the mid-century public was shared by an incredible variety of authors--Edwardians, modernists, satirists, and even anti-modernists.