Defining Deutschtum
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Defining Deutschtum
Author: David Brodbeck
language: en
Publisher: Oxford University Press
Release Date: 2014-09-16
Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. These conflicting positions are exemplified especially well in their critical writings about the music of three notable composers of the day who were Austrian citizens but not ethnic Germans: Carl Goldmark, a Jew from German West Hungary, and the Czechs Bed?ich Smetana and Antonín Dvo?ák. Often at stake in the critical discourse was the question of who and what could be deemed "German" in the multinational Austrian state. For critics such as Eduard Hanslick and Ludwig Speidel, traditional German liberals who came of age in the years around 1848, "Germanness" was an attribute that could be earned by any ambitious bourgeois-including Jews and those of non-German nationality-by embracing German cultural values. The more nationally inflected liberalism evident in the writings of Theodor Helm, with its particularist rhetoric of German national property in a time of Czech gains at German expense, was typical of those in the next generation, educated during the 1860s. The radical student politics of the 1880s, with its embrace of racialist antisemitism and irredentist German nationalism, just as surely shaped the discourse of certain young Wagnerian critics who emerged at the end of the century. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. Brodbeck neatly counters decades of musicological scholarship and offers a unique insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens. Defining Deutschtum is sure to be an essential text for scholars of music history, cultural studies, and late 19th century Central European culture and society.
The Austrian Dimension in German Intellectual History
Author: David S. Luft
language: en
Publisher: Bloomsbury Publishing
Release Date: 2021-05-20
Tracing Austrian intellectual life from Maria Theresa to Hitler's annexation of Austria and Czechoslovakia, this innovative book offers a precise and engaging account of Austrian intellectual history since the Enlightenment. Here, David S. Luft begins by locating his narrative in the region known as Cisleithanian Austria, the area to the west of the Leitha River that was the basis for the modern Austrian state after 1740. Chapter 2 provides a history of the German-speaking intellectual life of these central lands of the Habsburg Monarchy (Austria and Bohemia) from the Enlightenment to annexation by Nazi Germany. Chapters 3 to 5 identify the most important philosophers, writers, and social thinkers who contributed to Austrian intellectual life in the period between 1740 and 1938/1939 and address the intellectual significance of their work. Elegantly written and meticulously researched, Luft's book brings out the contributions of major figures such as Wittgenstein, Hofmannsthal, Musil, Kafka, Rilke, and Freud, but also draws attention to less well-known figures such as Bolzano, Brentano, Grillparzer, Stifter, Broch, and Hayek.
Musicology: The Key Concepts
Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.