Defining Chu

Defining Chu

Defining Chu begins with an overview of the historical geography, an outline of archaeological evidence for Chu history, and an appreciation of Chu art. Following chapters examine issues of state and society: the ideology of the ruling class, legal procedures, popular culture, and daily life. The final section surveys Chu religion and literature and includes an analysis of the Chuci, the great anthology of Chu poetry, and its impact on mainstream Chinese literature. A translation of the Chu Silk Manuscript¿ is appended. This document has intrigued scholars since its discovery in Changsha some sixty years ago. The inclusion of this rare and difficult text, available for the first time in an effective and accessible translation, will make this volume indispensable to students and scholars of early Chinese history and thought.

Defining Chu

Metaphor and Meaning

In Metaphor and Meaning, scholars from China, the United States, and Europe draw on Sarah Allan's groundbreaking application of conceptual metaphor theory to the study of early Chinese philosophy and material culture. Conceptual metaphor theory treats metaphors not just as linguistic expressions but as fundamental structures of thought that define one's conceptual system and perception of reality. To understand another culture's worldview, then, hinges upon identifying the right metaphors, through which it then becomes possible to navigate between shared and unshared experiences. The contributors pursue lines of argument that complement, enhance, or challenge Allan's prior investigations into these root metaphors of early Chinese philosophy, whether by explicitly engaging with conceptual metaphor theory or, more indirectly, by addressing meaning construction in a broader sense. Like Allan's interpretative works, Metaphor and Meaning interrogates both transmitted traditions and newly unearthed archaeological finds to understand how people in early China thought about the cosmos, society, and themselves.