Deep In The Jungle


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Deep in the Shadows


Deep in the Shadows

Author: Billy D. Smith

language: en

Publisher: AuthorHouse

Release Date: 2011-04-21


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This book represents the third fiction in the Shadow series. The story takes place at Malta, where a conference between all the major countries of the world is trying to solve the problems that affect every nation. A disruptive element plans to stop or cause problems so the conference cannot complete its mission to find solutions to the problem. Clay and his comrades go to Malta to prevent the terrorist from achieving their intended chaos. The second part of the book takes place in Central America. A senator is kidnapped. Clay and the group go down to try to find and get the hostages safe and out of the country. When you pick up any of his books, for a satisfying page turning experience, you will surely want to read them all!!!!!!!!!!!!!!

MN1 - Intermediate Speech Collection


MN1 - Intermediate Speech Collection

Author: Tomás Morales y Durán

language: en

Publisher: Libros de Verdad

Release Date: 2024-03-31


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The Majjhima Nikāya (abbreviated MN) or Collection of the Buddha's Intermediate Discourses is a collection of 152 discourses in the Pāli canon. The word "intermediate" refers to the length of each individual discourse. It contains a wide variety of teachings presented as narratives between the Buddha and a wide range of his contemporaries. The collection parallels the Madhyamāgama (MA) of the Sarvāstivāda school, which survives as a translation in the Chinese canon. The Collection of the Buddha's Intermediate Discourses is the best known collection among the four Nikāyas containing original suttas. This popularity may be due to the fact that it mixes biographical anecdotes with very superficial doctrinal content as opposed to the Saṁyutta Nikāya. This Intermediate Collection contains scattered and undisguised apocryphal suttas of petty intentionality, introduced very late, which detracts from its luster and credibility. However, it is interesting to note the value of the biographical references for the sake of contextualizing the Buddha in the world in which he lived. This first sub-collection, called The First Fifty, contains fifty suttas and is divided into five chapters: the Chapter on the Root of All Things, the Chapter on the Roar of the Lion, the Chapter on Similes, the Chapter on Pairs and the Minor Chapter on Pairs. We can highlight in this subcollection the suttas, MN 4 Fear and Awe, MN 26 The Noble Quest and MN 36 Great Discourse with Saccaka, which refer to the way in which the Buddha became enlightened, as well as autobiographical indications about his origin, who he was and the reasons why he forbade being called by his name. Also relevant are MN 10 The Four Instructions of Practice, MN 16 Mental Obstructions and MN 17 The Thickness of the Jungle. On the spurious side, MN 20 How to Stop Thinking, which exposes a false technique and also highlights the suttas MN43 and MN 44 which are anachronistic catechisms that seem to be made to explain doctrine in the form of questions and answers.

From the Place in the Valley Deep in the Forest


From the Place in the Valley Deep in the Forest

Author: Mitch Cullin

language: en

Publisher: Dufour Editions

Release Date: 2001-12-03


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The stories and characters in this diverse collection of stories from the acclaimed novelist Mitch Cullin provide a fascinating gloss on events that have taken place in the second half of the 20th century. They begin at a remote Japanese beach house and end on an unnamed Alaskan island. These are stories about isolation, remembrances of past experiences, and the sometimes inaccurate nature of memory. Cullin's stories examine individuals who have survived momentous, often horrific, social upheavals-where relationships and common day-to-day life are suddenly shaken by unforeseen circumstances. `From the Place in the Valley Deep in the Forest' is a collection that deftly suggests we are all emigrants from personal histories we recall only fleetingly-moments which draw us back, but, as we imagine them, seem increasingly difficult to grasp. These polished and graceful stories are further evidence of the kind of work that makes Cullin one of our best young writers. "If something of the experimentalist shows in Cullin's novels, his stories are old-fashioned in the best sense, reporting slices of life as the characters experience them in a language that is economical yet richly evocative because of its precision."-Booklist


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