Death Bloom

Silence in Modern Irish Literature

Silence in Modern Irish Literature is the first book to focus exclusively on the treatment of silence in modern Irish literature. It reveals the wide spectrum of meanings that silence carries in modern Irish literature: a mark of historical loss, a form of resistance to authority, a force of social oppression, a testimony to the unspeakable, an expression of desire, a style of contemplation. This volume addresses silence in psychological, ethical, topographical, spiritual and aesthetic terms in works by a range of major authors including Yeats, Joyce, Beckett, Bowen and Friel.

Metropolis and Experience

Metropolis and Experience: Defoe, Dickens, Joyce offers a close reading of the major texts of Defoe, Dickens, and Joyce, in their respective historical contexts and in comparison with their intertextual companions, from seventeenth-century “character” pamphlets through Baudelaire to Calvino. In doing so, it challenges the quietist complacency of specialization prevalent in current academia to contribute to a critique of urban modernity in the tradition of Simmel, Benjamin, and Lefebvre. Taking its cue from Benjamin’s bisection of “experience” into subjective sensory Erlebnis and communal reflective Erfahrung, Metropolis and Experience uses this binary pair as a categorical guide in its analysis of the stylistic and thematic adventures of the three centerpiece authors. Whereas Defoe’s novels embody a Simmelian metropolitan mentality through its narration of lived experience in paratactic prose, Dickens strives to humanize the sprawling Victorian metropolis into an experience for communal sharing. In Joyce’s works, the colonial dejections and belatedness of the Hibernian metropolis are transformed into an exuberant excess where both Erlebnis and Erfahrung meet their joyous end. This investigation of the interconnections between the metropolis, experience, and the novel takes place in tandem with a sustained query on non-literary subtopics such as finance capitalism and urban class antagonism. This is literary criticism charged with relevance for the age of “Occupy Wall Street.”

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